Introduction

(The sensational bestselling story of Little Nell, the beautiful child thrown into a shadowy, terrifying world, seems to belong less to the history of the Victorian novel than to folklore, fairy tale, or myth. The sorrows of Nell and her grandfather are offset by Dickens's creation of a dazzling contemporary world inhabited by some of his most brilliantly drawn characters-the eloquent ne'er-do-well Dick Swiveller; the hungry maid known as the "Marchioness"; the mannish lawyer Sally Brass; Quilp's brow-beaten mother-in-law; and Quilp himself, the lustful, vengeful dwarf, whose demonic energy makes a vivid counterpoint to Nell's purity.

The sound of Little Nell clattering hurriedly over cobblestones immediately sets the stage by bringing to mind the narrow and dangerous streets of Victorian London. No fewer than 20 performers are called upon to conjure up the Dickensian world of wanderers, ne'er-do-wells, con artists, and kind Samaritans--and each performance is excellent. Tom Courtenay plays the sadistic Quilp, "the ugliest dwarf that could be seen anywhere for a penny" with magnificent sarcastic glee, and Teresa Gallagher's silvery, childlike voice is ideally suited for the role of the angelic Little Nell.

Nell is on her way home to the dusty shop where she and her grandfather live a rather mysterious life. The old man disappears every night--visiting gambling dens with the naive hope of winning a fortune. Instead he sinks deeper and deeper into debt. Enter Daniel Quilp, moneylender, who becomes furious upon learning that the grandfather is a pauper and will never be able to repay his tremendous debt. Quilp seizes the curiosity shop and begins making lecherous overtures to Nell, so she and her grandfather steal away one morning to seek their fortunes elsewhere. But the demonic dwarf is never far behind.

Sound effects are employed judiciously and serve mainly as a springboard for the listener's imagination. The sound of a crying baby is enough to convey the image of crowded lodgings and genteel Victorian poverty, while raucous laughter and high-pitched squawks evoke the barely controlled chaos of an outdoor Punch and Judy show. The dramatization pares Dickens's weighty novel down to two and one-half hours, but does so skillfully, retaining Dickens's wit, marvelous dialogue, and delightful characterizations. (Running time: 155 minutes, 2 cassettes) --Elizabeth Laskey

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Excerpt

Chapter the Sixth

Little Nell stood timidly by, with her eyes raised to the countenance of Mr Quilp as he read the letter, plainly showing by her looks that while she entertained some fear and distrust of the little man, she was much inclined to laugh at his uncouth appearance and grotesque attitude. And yet there was visible on the part of the child a painful anxiety for his reply, and a consciousness of his power to render it disagreeable or distressing, which was strongly at variance with this impulse and restrained it more effectually than she could possibly have done by any efforts of her own. ... view entire excerpt...

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