What's the greatest gift that one person can give another?

Jan Goldstein's stunning debut novel, All That Matters, is a deeply moving, endearing tale of a young woman who, with the help of her feisty grandmother, makes a journey from the very brink of death and despair into a full embrace of life.

Jennifer Stempler has nothing left to lose: the love of her life dumped her, her mother died in a senseless car accident five years ago, and her famous Hollywood producer father started a brand-new family -- with no room in it for her. So, 23-year-old Jennifer decides to pursue peaceful (permanent) oblivion on the beach near her home in Venice, California, drifting on a lethal combination of Xanax and tequila. But she can't even get that right.

Jennifer's depression is no match for her Nana's determination. Gabby Zuckerman refuses to let her granddaughter self-destruct. With promises made to Jennifer's father and doctors, Gabby whisks Jennifer back to her home in New York City, intending to prove to Jennifer that her life cannot possibly be over yet. In fact, it has just begun. Through jaunts in Central Park to road trips to Maine, Gabby teaches Jennifer how to trust and hope again. And by relating her own tragic and heroic experience during the Nazi occupation of Poland, Gabby bestows upon Jennifer an understanding of her own life's value. But when Gabby reveals a secret -- one that proves to be Jennifer's toughest challenge yet -- Jennifer struggles to find out whether the gift will sustain her.

Combining the unabashedly heartwarming sentiment of Robert James Waller's The Bridges of Madison County or Nicholas Sparks's Message in a Bottle with the irreverent humor of Jennifer Weiner's In Her Shoes, Goldstein's All That Matters is an inspirational first novel that leads readers to the core of what matters in life -- family, hope, and savoring each moment.

Destined to be a sure-fire weeper, All that Matters by Jan Goldstein is, nonetheless, a good story about a lost young woman and her aged grandmother, both of whom have scores to settle with life, and a great deal to offer each other.

Jennifer Stempler has taken herself to Venice Beach to get lost in the crowd, ingest enough Xanax and tequila to do herself in, and simply lie down and die. Instead, the metal-combed beach sweeper stops just short of her inert form and her plan is foiled. Jennifer has, in her opinion, plenty of reasons to exit the planet. Her mother was killed while walking when she would have been driving if Jennifer hadn't taken the car--at her mother's insistence; her father, having left her and her mother years before, is now remarried to Ms. Beverly Hills Aerobics and the proud father of a baby girl; her long-time lover, her this-is-forever guy, ups and leaves. Everybody seems to be leaving, so why not her, reasons Jennifer.

Enter the quintessential Jewish grandmother, Gittel "Gabby" Zuckerman, Holocaust survivor and fearless old lady. She convinces Jennifer's pompous father and her Doctor to let Jennifer go to New York with her, instead of being locked up someplace, drugged senseless and asked to talk herself to pieces. One of the best parts of the book is the sendup Goldstein does of shrinks and their various party lines.

At the beginning of the book, Jennifer carries a camcorder everywhere: "It wasn't just about focus, Jennifer told herself. Recording events meant time could be stopped, played back, even erased." This metaphor is, unfortunately, never followed up, and it's a good one for what happens to Jennifer. The relationship between the two women, one with a life ahead of her, if she will only claim it, and the other with a life she will soon leave, flourishes as they learn from each other that what really matters is offering the gift of love. --Valerie Ryan

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