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Sense and Sensibility (Tor Classics)
by Jane Austen

Published: 1995-12-15
Mass Market Paperback : 352 pages
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Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title?offering clear, accurate, and readable text. All ...
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Introduction

(Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title?offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords.

This edition of Sense and Sensibility includes a Foreword, Biographical Note, and Afterword by Elizabeth Engstrom.

Elinor Dashwood is affectionate and good-natured--but above all, prudent. She takes pride in her ability to conceal her emotions from others. Her younger sister, Marianne, on the other hand, is everything Elinor is not: impulsive, romantic, and carefree. It's hard to imagine two sisters who could be more different.

But twists of fate will unite Elinor and Marianne in a tangled web of deception that could ruin each of them.

Both have decided to marry. Elinor has made a sensible decision and has set her sights on a man she believes will be a good husband and a decent provider. Marianne--swept away by emotion--has lost her heart to a handsome, dashing charmer. Men as different as night and day: but each sister believes she has made the perfect choice.

Or has she?


Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:

Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!
Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber

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