Antonya Nelson is the author of eight books of fiction, including Female Trouble and the novels Talking in Bed, Nobody’s Girl, and Living to Tell. Nelson’s work has appeared in the New Yorker, Esquire, Harper’s, Redbook, and many other magazines, as well as in anthologies such as Prize Stories: The O. Henry Awards and The Best American Short Stories. She has received a Guggenheim Fellowship, an NEA grant, and, recently, the Rea Award for Short Fiction. She is married to writer Robert Boswell and lives in New Mexico, Colorado, and Texas, where she holds the Cullen Chair in Creative Writing at the University of Houston.

Critical Praise:

“In this powerful collection of 11 short stories, Nelson’s brilliantly constructed characters negotiate love, family, home and truth. Nelson consistently pays exquisite attention to detail, resulting in rich, vivid characters and settings…Nelson writes with wonderful grace and skill, each word carefully chosen, each passage carefully constructed.

This beautiful collection is another remarkable accomplishment for a writer often hailed as one of our most talented storytellers.”—Publishers Weekly (starred review)

“Those wondering whether the spirit of bohemian anarchy endures in today’s hunkered-down Red America need look only as far as the marvelously reliable Wichita, Kansas, native Antonya Nelson’s latest story collection, Nothing Right (Bloomsbury)…Nelson delivers convincing portraits—11 of them here—of folk who are alarmingly drinking-positive, more than a little familiar with illicit drugs, and all too conversant in the language of infidelity…Sordid, cynical, and supremely romantic tales.”—Elle Magazine

“Stellar… never has anxiety been made as entertaining as it is here. Nelson deploys a quirky, far-reaching humor and resonant detail to describe both the quiet and not-so-quiet implosions of midwestern families as they attempt to cope with contemporary life…. Nelson is in complete command of her material here, infusing her stories with just the right shades of poignancy, humor, and heartbreak.”—Booklist (starred review)

“Nelson is at her best creating densely packed, almost novel-like family mini-sagas.”—Kirkus

“Delightfully messy…Nelson gives readers plenty to ponder as her frequently baffled characters struggle to make sense of the circumstances in which they find themselves…Readers who relish conflict will burn through the pages as the disasters pile up, while those who appreciate well-rounded characters will be impressed with the variety of responses to said disasters, which reveal just how strong, flexible, and adaptable human beings can be under pressure (see especially "Kansas" and "Biodegradable"). This weary hymn to coping with life's cruelties is a tour de force.”—Library Journal

“Nelson never chafes against the limitations of her chosen form, the realistic well-made story. It’s the ideal medium for a writer who isn’t afraid to remind us of the familiar, who values insight over epiphany.”—New York Times

“I don’t know how I missed the extensively published and acclaimed writer Antonya Nelson, but I’m glad my first encounter was this collection of short stories. They are funny in a dark, subterranean way, gracefully told, and populated by characters you wouldn’t want to know but already know intimately… These difficult characters… may seem impossible to like, but because of Nelson’s fluid skill and insight, you end up caring about them all.”—Bust

“You have only to read Antonya Nelson's new story collection, Nothing Right, to appreciate her talent…. Nelson, unlike so many writers today, is not serving up magic realism in her stories. Her magic, in fact, is their powerful realism: deeply understood, beautifully expressed.”—Carole Goldberg, The Hartford Courant

“Nelson never chafes against the limitations of her chosen form, the realistic well-made story. It’s the ideal medium for a writer who isn’t afraid to remind us of the familiar, who values insight over epiphany. Nor is Nelson particularly interested in the way the world at large shapes our private lives. These stories could take place at just about any time in the last 30 years – after the sexual revolution diminished, without destroying, the scandal of adultery and the tragedy of divorce. Indeed, it comes as a surprise when, in ‘Shauntrelle,’ Nelson alludes to ‘collateral damage,’ and a world that contains Iraq and Afghanistan heaves into view. The wars that concern Nelson’s characters are fought much closer to home.” —Adam Kirsch, The New York Times Book Review

“Antonya Nelson’s Nothing Right [targets] the romantic poseurs in all of us.”—Megan O’Grady, Vogue

“Nothing Right is a wild ride, and one of the very best books of the year. Nelson’s method is pure realism—no trendy experiments in form or postmodern hijinks here—and yet these 11 stories are deliriously, satisfyingly intricate…Nelson works the material like a conductor…Nelson’s sentences are long and insight-studded, almost Jamesian in their complexity, but she’s good for a quick punchline, too.”—Daily Beast

Suggested reading from the publisher:

Antonya Nelson, Female Trouble, Talking in Bed, Nobody’s Girl, and Living to Tell; Robert Boswell, The Heyday of Insensitive Bastards; Lorrie Moore, A Gate at the Stairs and Birds of America; Raymond Carver, Where I’m Calling From; Maile Meloy, Both Ways Is the Only Way I Want It; John Updike, My Father’s Tears and Other Stories; Mary Gaitskill, Don’t Cry; Wells Tower, Everything Ravaged, Everything Burned; Elizabeth Strout, Olive Kitteridge; Dave Eggers, Zeitoun; Richard Russo, That Old Cape Magic; Joyce Carol Oates, Dear Husband,.