Introduction

In her final novel, Dorothy West offers an intimate glimpse into African American middle class.  Set on bucolic Martha's Vineyard in the 1950s, The Wedding tells the story of life in the Oval, a proud, insular community made up of the best and brightest of the East Coast's black bourgeoisie.  Within this inner circle of "blue-vein society," we witness the prominent Coles family gather for the wedding of the loveliest daughter, Shelby, who could have chosen from "a whole area of eligible men of the right colors and the right professions." Instead, she has fallen in love with and is about to be married to Meade Wyler, a white jazz musician from New York. A shock wave breaks over the Oval as its longtime members grapple with the changing face of its community.

With elegant, luminous prose, Dorothy West crowns her literary career by illustrating one family's struggle to break the shackles of race and class.

Editorial Review

The Wedding, Dorothy West's first novel in almost 50 years, is ably brought to life in this finely nuanced audio version. Writer and actress Regina Taylor (Courage Under Fire, Lean on Me, and TV's I'll Fly Away) uses her considerable talent to show off West's sensual and elegant prose to full advantage. The Oval, an elite African American community in 1950s Martha's Vineyard, sets the stage for the story of the impending nuptials of Shelby Coles, the golden-haired, fair-skinned youngest daughter of the neighborhood's leading family. Shelby's intended groom is Meade Tyler, a white jazz man with a far less upscale pedigree than his bride. (Like many grooms, Meade plays little role in the pre-wedding drama; the snippets of jazz that frame the reading are about as close as listeners get to meeting him.) Sparks fly in the few dozen hours before the wedding, when one by one those close to Shelby come to her to make a case for or against the controversial match. As new characters are introduced, Taylor succeeds in giving each a distinct personality through her reading.

Shelby is dragged through a crisis of identity, while West skillfully steers listeners through an examination of the tangled and painful meanings of race and class in the United States, themes that still resonate today. Taylor's reading deftly renders the subtle distinctions between the characters and their backgrounds without ever descending into stereotype. (Running time: about 180 minutes, two cassettes) --Naomi J. Cohn

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