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El Patrón
by Michele Scott

Published: 2010-02-21
Paperback : 402 pages
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What began as an innocent love affair for one young woman, Marta Peña, in Costa Careyes, Mexico in 1969, sets in motion a series of events that spans the next thirty years. This is the story of South American drug lords Antonio Espinoza and Javier Rodriguez, and their violent quest for power. In a ...
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Introduction

What began as an innocent love affair for one young woman, Marta Peña, in Costa Careyes, Mexico in 1969, sets in motion a series of events that spans the next thirty years. This is the story of South American drug lords Antonio Espinoza and Javier Rodriguez, and their violent quest for power. In a sweeping family saga, we meet the women who love them and the children they vow to protect at any cost. With a complex web of interconnected families, this gritty novel delves into the lives of a power hungry clan, following the rise of their business, the destructive path of their torrid and erotic love affairs, and the struggle to balance intense greed with devout family loyalty. Strong women face tragedies that test their will and their commitment to the men they passionately desire. As young girls grow into women, their traumatic pasts will drive their actions and force them to make gut-wrenching decisions. With murder, drug trafficking, dirty politics, illegal gambling, prostitution, obsessive love affairs, and family strife, El Patrón is a whirlwind in the vein of Mario Puzo's The Godfather.

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Excerpt

BOOK I
1969-1976
Calí, Colombia

CHAPTER ONE

EMILIO ESPINOZA TRACED THE SCARS ACROSS THE undersides of his wrists, now white with time, but still visible. Not like the ones that remained on his heart.
Moving to the ornate wooden armoire, he picked up a framed photograph of his brother Antonio and his lovely young wife Lydia. He stared at his brother’s face, his eyes becoming slits of hatred. He closed them, and threw the picture across the room, smashing the frame against the wall, his hands balling into fists as his vision clouded with tears. Glass shattered into small splinters across the adobe-tiled floor. Pulling the photograph from between the shards of glass, filled with rage and despair, Emilio ripped it into pieces. ... view entire excerpt...

Discussion Questions

1. With which character did you find the quickest and most certain connection with and why?
2. Were you able to connect with Antonio and Javier? If so, what was it about these two men that allowed you to feel for them? Did you empathize with them in any way throughout the book?
3. Did you find the women strong, weak, human…what did you like or didn’t like? Could you relate to them in any way being that they were from a different are, different culture, etc. How would you compare them with an American woman of today?
4. The author compares her book to The Godfather meets The Thornbirds. Why do you think she does this? Do you agree?
5. Who was your favorite female character and why? Who was your favorite male character and why?
6. Did you think Emilio’s demise was justified or over the top?
7. What was it that forged the strong relationship between Miguel and Isabella as friends and siblings?
8. Was Lydia justified in her affair with Emilio?
9. Who suffered the most? Who gained the most? Who learned the most?
10. Would you read a sequel to El Patrón? If so, what do you think will happen? What would you want to see happen? Do you think Isabelle and Alex’s love will survive? What would happen with Javier and Antonio?

Notes From the Author to the Bookclub

Writing my novel El Patrón is has been a journey. Once I explain what I mean by that I think maybe you will understand why I refer to it as such.

I'm going waaaaayyyy back now. In 1991 I gave birth to my first son Alex. He was six weeks preemie and had some health issues that dictated that I stay home with him and not work at the time. I was fresh out of college with a degree in journalism. I chose journalism as my major because my parents didn't think creative writing would be lucrative and since they were footing the tuition, I acquiesced. However, the bug to write fiction never stopped biting at me. So with my baby at home and the urge to write a book, I took a correspondence course through Writer's Digest (these were the days before I had a clue about the Internet). I finished that novel, and sent out submissions to agents and actually had some good feedback, but ultimately it was rejected. Two years passed and by then I had a rough and tumble toddler and a new baby on the way. I was now working at our family business, but I still had that need to write. What I would write, I didn't know.

Well as things would have it, some very interesting events took place in my life during that time. I won't divulge but let's just say I might have known someone who was married to someone who had a cousin who knew someone in the Mexican Mafia a.k.a the drug cartels. I had read The Godfather series and found the history, etc., of the Mafioso interesting--I didn't want to be involved with that lifestyle though, so I stopped knowing that person who was married to someone who had a cousin who knew someone in the Mexican Mafia a.k.a the drug cartels. But the idea of a book about them intrigued me. I did some research and I sat down with my then six month old baby either in my lap or in a swing next to me, while my two-year-old made a fiasco out of the house. I had just acquired my first laptop. With my baby at times in my lap, I hunted and pecked my way through the first draft of El Patrón. Then my life kind of bottomed out. I went through a divorce, I lost my home, I was left with a ton of debt I had been unaware of in my youthful naivete (that's a nice way of saying I was a pretty dumb twenty-something). I took a year off from writing and went back to work for my family.

But writing is a passion and once you have it, you want to write. You always come back to it. So, eventually I wrote another version of El Patrón, and then another of this big book (450 typed pages). I had the fortune to attend the Maui Writer's Retreat and it was there that someone in the industry said, "Oh no. Organized Crime books and family sagas don't sell." Funny how The Sopranos were on a year later and we all know how unpopular that series was. Instead of focusing on Patrón, I wrote two thrillers, a children's book, and then Murder Uncorked, which was the first book I sold to a publisher. But the characters of El Patrón kept nagging at me. After putting out a few mysteries, I decided to take another crack at El Patrón. I revised it two more times and utilized my Yoda (my freelance editor Mike Sirota). This was three years ago. But then, more mystery book contracts came in and my focus was back on them. I have now written nine mysteries and after finishing up the latest one "A Toast to Murder," and then putting out "Happy Hour," I thought now might be the time to see if El Patrón will fly. I hope I'm right.

I'm not a writer who only wants to write one type of book. I want to write good stories--stories that compel me, wake me up in the middle of the night yelling at me, "WRITE ME!" So, if you do decide to join me on this journey, just know what you are getting into--this is a saga, and there are some not so nice parts, and there are some steamy scenes. But on the flip side now that I've told you this book isn't all laughs and light, it is my favorite book. These characters have been screaming at me for 15 years now, and they wouldn't leave me alone. So, even if only a handful of readers pick it up and enjoy it, I'm good with that. It's been worth the journey all the way!

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