Chris, eternal optimist and itinerant sheep shearer, moves with his wife Ana to a mountain farm in Las Alpujarras, an oddball region in the south of Spain. Misadventures gleefully unfold as Chris discovers that the owner has no intention of leaving and meets their neighbours, an engaging mix of peasant farmers and shepherds, New Age travellers and ex-pats. Their daughter Chloe is born, linking them irrevocably to their new life. The hero of the piece, however, is the farm itself - a patch of mountain studded with olive, almond and lemon groves, sited on the wrong side of a river, with no access road, water supply or electricity. Could life offer much better than that?

When English sheep shearer Chris Stewart (once a drummer for Genesis) bought an isolated farmhouse in the mountains outside of Granada, Spain, he was fully aware that it didn't have electricity, running water, or access to roads. But he had little idea of the headaches and hilarity that would follow (including scorpions, runaway sheep, and the former owner who won't budge). He also had no idea that his memoir about southern Spain would set a standard for literary travel writing.

This rip-roaringly funny book about seeking a place in an earthy community of peasants and shepherds gives a realistic sense of the hassles and rewards of foreign relocation. Part of its allure stems from the absence of rose-colored glasses, mainly Stewart's refusal to merely coo about the piece of heaven he's found or to portray all residents as angels. Stewart's hilarious and beautifully written passages are deep in their honest perceptions of the place and the sometimes xenophobic natives, whose reception of the newcomers ranges from warm to gruff.

After reading about struggles with dialects, animal husbandry, droughts, flooding, and such local rituals as pig slaughters and the rebuilding of bridges, you may not wish to live Chris Stewart's life. But you can't help but admire him and his wife, Ana, for digging out a niche in these far-flung mountains, for successfully befriending the denizens, and for so eloquently and comically telling the truth. The rich, vibrant, and unromanticized candor of Driving over Lemons makes it a laudable standout in a genre too often typified by laughable naiveté. --Melissa Rossi

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