Introduction

Editorial Review

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Amazon Exclusive: A Q&A with Author Linda Francis Lee

Q: What made you write a book about an unfaithful husband?

A: My primary goal wasn't to write about an unfaithful husband, it was to write about a man who lived a lie--and he didn't just live a lie to the world, he lied to himself. I wanted to tell a story about someone who found it easier to blame others for what was wrong in his life rather than take responsibility and attempt to help make it right. No life is perfect, but frequently it's easier to blame others or external circumstances than take responsibility.

Q: Why did you decide to write a book with a dog as the main character? Are you yourself a "dog person"?

A: At the time I was plotting the book, I had been thinking a lot about our dog Sophie who had passed away several years ago. For so long just thinking about her broke my heart. But a shift had started to happen and the memories started making me smile or even laugh. Sophie had so much personality. If she was mad at me, she ignored me. If I was sad about something, she leaned up against me until I felt better. I know it sounds crazy, but she felt like a little person, a sometimes crotchety person! So with all this thinking about Sophie, one day when I came through a tunnel in Central Park and saw the statue of Balto the dog, the pieces came together. A dog has to be a character in this book, and not just any dog, a wonderful but crotchety dog...and Einstein came fully to life!

Q: At certain points throughout the story, Einstein's animal instincts kick in, both confusing and inconveniencing Sandy. Was there a reason to keep this animal influence involved in Sandy's transformation?

A: I had become obsessed with Cesar Millan's THE DOG WHISPERER and to paraphrase Cesar, The problem is with the humans, not with the dogs. In watching the show I was always amazed at how owners learn to be better humans by learning how to deal with their dogs. As a result, between my memories of Sophie, and seeing Balto, then add in Cesar, I realized it had to be through Einstein the dog's instincts that Sandy Portman learns how to be a true man.

Q: Throughout the book the theme of "second chances" comes up again and again. What do second chances mean to you? Why did you want to explore this idea?

A: I think most of us have moments in our lives that we would like to do over. While we can't get an actual "do over", I love the idea that we can get another chance to make things right, or find another chance to achieve a dream. Second chances are all about having hope, and it's hope that gets us out of bed in the morning.

Q: As Emily turns her life around, she goes through several changes, from finding new love and beginning to exercise, to taking risks at work and attempting to discover more about her family and her own upbringing. Is there one aspect of her reawakening that you find to be the most important or groundbreaking?

A: I think everyone has a vision of who they want to be, or who they think they are. Generally the image we hold of ourselves is an appealing version. The fact is, who can afford to live with an unappealing vision of themselves. What I liked most about Emily was that she was willing to look at who she was, and when the truth started to unravel her, she held on, fought against falling apart, then moved forward in an attempt to be someone better. And through that (in addition to through Einstein) her husband sees an example of someone trying to be their best. It both helps him and makes him angry.

Q: Once Emily stops running from the things in life that scare her, what did this represent to the storyline as a whole?

A: I think any time we do something that is difficult--something that we think we can't do--it strengthens us. It gives us a foundation on which to reflect back when the next challenge hits. A sort of: Err, this new challenge is impossible! But I did accomplish the other thing, so maybe I can do this too. Growing up I was never particularly serious about anything. But when I turned twenty, I realized life was passing me by. I started doing anything I didn't think I could do. I focused on school. I took probability and statistic courses, geology courses. I mountain climbed, I repelled, I set out to run a marathon. I even started to write. All these years later, I still push myself to do things that are out of my comfort zone. And every morning I get up and I go into the park to run because making it to the top of Heartbreak Hill, or finishing a run when I am surrounded by snow, reminds me that I can get to the top of a hill and nothing but fear holds me back. Emily learns who she really is by pushing herself beyond what she believes are her own limits.

Excerpt

Prologue

A week passed before I understood the enormity of my situation, a week before I realized I was dead.

It was February, a bitter cold day in New York with a gunmetal sky, the kind of storm blowing in that would make even the most stoic northeasterner dream of sun, sand, and a beach that stretched on forever. Wearing a heavy wool suit, silk tie, and overcoat, I walked into my office on the thirty-fourth floor, the view of lower Manhattan blocked out by the falling snow. My secretary was on the phone, her sharp Brooklyn accent and polyester clothes at odds with the old-world, fine wood surroundings of the reception area. She snapped at the caller, something about having to go through her to get to me—the very reason I employed the no-nonsense older woman who didn't take lip from anyone.

She banged down the phone with a huff. "Pushy, pushy, pushy."

I struggled not to smile.

When she saw me, she didn't so much as blink. "Mr. Portman, there you are." She handed over a stack of memos, giving me a brief, rapid-fire rundown of who had called. "And your mother stopped by earlier, said she needs to see you."

My mother, the demanding, if beautiful, Althea Portman, had a tendency to think my sole job should be dealing with her.

Without a hitch in my step, glancing through the stack as I went, I didn't bother to look up. "If she stops by again, tell her I quit. Tell her I got fired. Or better yet, tell her I've moved to Mongolia or the Australian Outback, someplace far away that with any luck isn't reachable by phone."

"Now, now, that's just plain mean. She's your mother."

"Mrs. Carmichael, my mother requires mean." I kept going, mentally itemizing which of the memos required my attention. "In fact, a woman like my mother demands mean."

"For a man who can't be more than, what, thirty-five, forty," she called after me, "you sure are cantankerous."

Just before I shut the door to my inner sanctum, I glanced back, and this time I did smile. "Cantankerous? Me?"

She scoffed and turned away, though not before I caught a glimpse of her own amused smile.

"I'll need a car to take me uptown at seven," I told her.

With that, I tossed the stack of memos in the trash and shut the door.

An hour later I left my office at the Regal Bay investment firm. I was due to meet my wife at the Upper West Side Animal Clinic where she volunteered every Friday after work.

The first time I saw Emily I would have sworn she was born and bred in some place like Minneapolis or Milwaukee. It turned out she grew up in Manhattan, raised by a woman I'd had the good fortune never to meet. In her day, Lillian Barlow had been a noted and unfortunately vocal feminist, a woman who had taken a hard stand against what she called That pack of misogynist men whose goal in life it was to oppress women.

One, I think her stance a sweeping generalization, not to mention melodramatic. And two, given her stance, how a woman who had burned bras and been arrested for protesting the Vietnam War raised a daughter as open and trusting as Emily was anyone's guess. How I ended up marrying the woman's daughter was an even bigger mystery. But when Emily and I met nearly four years earlier, I was on the backside of a skiing mishap that had left me with a shattered thigh bone that surgeons had reassembled with screws and metal pins.

This shouldn't have hit me as hard as it did, but what can I say? For years I had wanted to run the New York City Marathon. I had dreamed of it. In some ways, I had counted on it. After my leg ended up on the wrong end of my unfortunate fall, I was told that my days of training for anything that put significant strain on the leg, much less running the marathon, were over.

All this to say that in my own moment of spectacularly self-indulgent melodrama, when I met Emily I'd just had my first taste of mortality along with an overlarge serving of hunger to be something more than the man I was.

Of course Emily didn't know any of that. The day I met her I was sitting in a conference room of the book publishing house, Belvedere Press, surrounded by the president, publisher, an editor, a lawyer, and Regal Bay's own consigliore who scared even me—and I didn't scare easily. We were there about a sticky issue regarding an upcoming book the publisher had on its fall list. Namely, a book about Regal Bay and some of its allegedly questionable activities. Victor Harken and I were there to make sure the book never saw the light of day. Rather than go the legal route from the onset, Victor wanted first to try and "convince" the publisher to see things our way.

Just before we began the meeting, Emily blew into the room like she was immortal, her long blond hair flowing behind her like a flag. She was delicate, not very tall, but somehow her presence filled the room. I had been half listening to Victor make small talk, but the minute I saw Emily everything else fell away.

Good news, bad news, depending on your point of view, I was nothing if not a connoisseur of women, and everything about Emily seemed a contradiction. She was as beautiful as any of the models I dated, her white blond hair long and loose, her eyes like an indigo sea. But combined with that intensity of energy and color, she wore a simple cream dress that hit barely above her knees. Not blue to highlight her eyes, or short to show off her amazing legs—like adding a constant in algebra to offset an equation. Though in math, the point is to solve for X. Emily seemed impossible to solve.

I was intrigued.

"Ah, Emily," the president said. "I was hoping you could join us."

Introductions were made and I gathered that while Emily was relatively new to the company she had already developed a reputation for problem solving. That the president thought she could solve anything with Victor Harken made me smile. Though when I think back on it now, I realize that despite the contradiction of her, or maybe because of it, everything in the room shifted the minute she blew through the door.

When Victor gestured toward me, and said, "This is—" I found myself cutting him off. "Sandy Portman," I offered with a wry smile. "Just another cog in the corporate machine."

Victor looked at me as if I had lost my mind, which perhaps I had. In actuality I was Alexander "Sandy" Vandermeer Regal Portman, a direct descendent of both the Vandermeer and Regal families, founders of Regal Bay, one of Wall Street's oldest and most prestigious investment firms. Whether it was Emily's counterbalanced elegance, or the easy confidence of someone who felt no need to impress, I'm not sure. All I knew was that for the first time in my life I didn't want someone to know who I really was.

We started in on the issue, Victor doing his best to intimidate and threaten, the president looking like he was concerned he'd end up with a horse head in his bed. But the women in the room hardly paid attention to Victor. They eyed me surreptitiously, weighing their possibilities, assessing. At least all the women did except Emily who didn't seem to notice me at all.

No question I wasn't used to disinterest, but it seemed more than that. Watching her, she seemed aware only of whoever was talking, as if she were listening in a way that most people never did.

When every idea and possibility had been suggested then discarded as not working for one or the other side, the president glanced over at her. "Emily, what do you think?"

She considered for a second, then turned to Victor like some blue-eyed David doing battle with a Bronx-born Goliath. "I'm not sure I understand what the problem is. No question you have the resources to tie Belvedere up with lawsuit paperwork for months if not longer, but eventually whatever you're trying to hide is going to come out." She tsked at Victor like he was a schoolyard bully getting caught playing rough on the playground.

I doubted Victor had ever been tsked at in his life.

"So how about a compromise?" she added, then shot him a dazzling smile.

She was either crazy or fearless. Maybe both. I knew with a fair degree of certainty that while Victor hadn't put a horse head in anyone's bed, he was known for his unorthodox means of getting what he wanted. My great uncle Silas Regal employed him for that very reason. But the consigliore was as caught off guard by the young woman as I was as she made her case with passion and an idealistic conviction that she and her little publisher would win.

"Either way," she went on, "the fact is that while you're tying us up with legal documents, both Regal Bay and Belvedere are going to end up in publishing eNewsletters, financial blogs, even traditional press. Good for us. Bad for you." She shrugged and grimaced as if she were actually sorry.

Victor couldn't seem to speak. I nearly laughed.

By the time Emily finished laying out her plan, Victor had agreed that not only would we not "waste money pursuing futile legal action" but we would give the lowlife business-journalist-turned-author access to Regal Bay higher-ups, as Emily put it, "to tell their side of the story."

Great-uncle Silas was going to have Victor's head. I would have been amused but just then Emily looked at me, finally, and everything changed. The world slowed as she studied me for what seemed like forever, then she smiled. As crazy as it sounds, sitting there with her smiling at me, I felt as if I could achieve anything. In her eyes I saw the man I had the potential to be reflected back. Broken legs and shattered dreams were forgotten and I had the distinct thought that she could make me whole. The feeling was deep and primal, as unsettling as it was nearly godly.

I decided then and there that I would have her.

It is a well-documented fact that most males of the species long to be great. Isn't that why we admire superheroes when we are boys and moguls when we are men?

I was no different.

When I was young I wanted to be a basketball player, but while no one would accuse me of being short, I didn't have the tall, lean build of a real player. If I was destined to sit on the bench, why bother? A few years later, I decided on rowing. I was smart and strong, and was being groomed by my prep school coach for the important position of stroke. But after a few months of trudging uptown to practice, I decided rowing was more trouble than it was worth.

Later, during college, I decided to be an artist, someone great like Picasso or Salvador Dali, larger-than-life men with voracious appetites. But this time my mother, a woman known as a great purveyor of all things art, said Portmans sponsored artists; we didn't become them.

What most people didn't know, or perhaps didn't remember, was that my mother hadn't always been a wealthy patron of the arts. The truth was, Althea Portman was an enigma to most people who knew her, a puzzle people had tried to piece together for years. But eventually the questions had been forgotten, and I knew my mother intended for it to stay that way. I rarely gave it any thought; the disconnected pieces of her were something I took in stride.

Though every once in a while our eyes would meet and I could see the question. Do you remember, I knew she wanted to ask.

But I was no fool. I always turned away, as did she, the question left hanging in the air, unspoken.

Unfortunately, my mother wasn't one to hold her tongue on much of anything else, and on that unfortunate snowy February night that I left my office at Regal Bay, the night it all began, she and I had exchanged words. This time about my wife.

Frustrated in a way that only my mother could make me, I sat in the back of a Mercedes sedan, one of the firm's hired drivers taking me up Eighth Avenue in the swirling sleet and snow to meet Emily.

The drive took forever, the five lanes of traffic a sea of cabs, hired sedans, and people in SUVs from New Jersey heading north, the snowy street lined by the remnants of less glamorous Manhattan real estate now being encroached upon by the gleaming glass and steel of the midtown business district. An hour after leaving the firm, we finally arrived at the animal clinic on West Seventy-sixth, the narrow length lined with parked cars. The driver double parked across the street, behind a utility van.

When I didn't immediately get out, he glanced at me over the seat back. "Isn't this the address you gave me, sir?"

"Yes, yes. It is."

Generally I wasn't a distracted person, but that night I felt something I didn't understand. I wrote it off as simple frustration after a long, snowy drive. I realize now that it was more than that, something more complex, less defined, a defiant and callous posturing in front of . . . what, the gods? Whatever the case, I was charging forward, full speed ahead, to my own undoing. And Emily's.

I got out of the car and buttoned my overcoat against the elements. Stepping around the front of the Mercedes, I was startled by a little wiry white-furred dog that leapt out and stood as if intentionally blocking my way. I tried to step around him but slipped on a patch of ice.

Steadying myself on the hood of the car, I shooed the dog away and kept going, snow and sleet coming down harder, the wind blowing, ice hitting my face. When I got to the right front edge of the Mercedes, a car turned on to the street, its headlights bouncing as the tires hit ruts in the freezing slush.

As the car roared closer, I saw that it was a taxi driven by someone who had lost all concern for the perils of driving in the snow. I took a step back, irritated that the cabbie planned to hurtle through the narrow space between the double parked cars. Then just before the cab reached the Mercedes it happened. The little white dog reappeared and stepped into the street.

The cab driver hit the brakes and swerved, fishtailing back and forth, sliding this way, over-correcting that way, until the yellow taxi careened into the back of the Mercedes. The thick, falling snow muffled the crash, making the impact feel less destructive. Then silence. There was a moment when I was certain I could hear the snow falling, feel a strange sort of peace.

All in all, the accident wouldn't have caused too much of a problem if I hadn't been standing at the front of one vehicle and an unfortunate five or so feet behind another. Something about thrust and velocity, mixed with angle of trajectory, even over relatively slow speeds and short distances, can make for a very dangerous combination. The long and short being that the cab hit the back of the Mercedes, jamming it forward into me, thrusting me down with such velocity and at such an angle that I crashed over like a domino, no time to break my fall. My head slammed against the fender of the van, traumatizing my brain so intensely and fracturing my spine so deeply that there was never a chance to recover. In seconds I was standing next to my body, no longer cold, merely stunned that the mess on the ground was actually me.

I watched in stunned paralysis as the driver dialed 911, tried to resuscitate my body, then called his dispatch who called the firm. No one called my wife.

I had never been one to panic, though I had never stood on a snowy street before watching someone work to revive my body. But when I tried to move and couldn't, panic spiked through me. I gasped for air, but couldn't do that either.

They say that when your life hangs in the balance, your past flashes before you. But it wasn't friends or events from my childhood I remembered. I didn't think of my parents. I only thought of one thing.

"Emily!"

Her name burst out of me, burst out of my mind, as if somehow she could fix this, could solve this problem. But there was no sound, nothing, as if nothing of substance was left of me to save.

I hadn't known Emily for more than a week the first time I pulled her close. With our lips nearly touching, I whispered, "Fall in love with me. I dare you."

She did fall for me, though since then I have wondered if it was the dare that set me up to fall. view abbreviated excerpt only...

Discussion Questions

From the author:

1. Would a selfish man really want to help his wife?
2. If the husband wasn't willing to help his wife what would happen to him?
3. What would happen to her after she learns everything she knew about her husband was a lie?
4. Is it possible to change any man?
5. If so, how do you go about it?
6. Have you ever found out that someone is different than you believed?
7. If yes, did that change the way you viewed all your past experiences with that person?
8. Can you truly get a second chance with people, or at some level do people always hold on to the wrong?
9. Do you believe the adage that if you truly believe in something that the universe will help you achieve it?
10. Do you guard your heart against heartbreak, or do you go into any new relationship believing the person is good?
11. Do you expect life to be easy?
12. Do you want life to be easy?
13. Do you believe in fate, or do you believe you can affect your fate?

Weblinks

»	Publisher's Book Info
»	Author Linda Francis Lee's web site
»	Linda Francis Lee's Facebook Page
»	Linda Francis Lee on Twitter
»	Linda Francis Lee on You Tube

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