Introduction

Product Description: When the Germans invade Belgium in 1940, chemistry professor André Severin fears the worst. His colleagues believe their social and political positions will protect them during the occupation, but André knows better. He has watched Hitler's rise to power and knows the Nazis will do anything to destroy their enemies. For the Severins are Jews, non-practicing, yes, but that won?t matter to the Germans?or to the Belgians desperate to protect themselves by informing on their neighbors. And so André and his brother Alin take their parents, wives, and children and flee south. But when France falls to the Nazis, the refugees are caught in a rural farming community where their only hope for survival is to blend in with the locals. Fortunately, the Severins have come to Huguenot country, settled by victims of religious persecution who risk their own lives to protect the Jewish refugees and defy the pro-Nazi government. And as the displaced family grows to love their new neighbors, André and Alin join forces with the French Resistance to help protect them. Based on one family's harrowing true story of survival, In This Hospitable Land is an inspirational novel about courage and the search for home in the midst of chaos.

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A Q&A with Lynmar Brock, Jr.

Question: Your novel, In This Hospitable Land, was inspired by the true story of a Belgian family who actually survived the Holocaust while living in the South of France. Tell us about this family and your discovery of their story.

Lynmar Brock, Jr.: Very simply I married one of the little girls. For my own family, we arrived in 1620 on the Mayflower and in 1682 with William Penn as he set up Pennsylvania and Philadelphia. Thus I had my family history down very well. But having married a girl from Belgium who arrived in the US in 1950 I was really interested in her family for my own sake and as much as for our two sons. I wanted them to know of their mother's story. That was really important to me. As an aside, our younger son has married a wonderful German girl (woman) and they have two children. And so I am trying to get her history, for now the "soup" thickens and after a couple of hundred years of mostly English/Scot/Irish ancestors (with a German g-g-g grandmother thrown in) the blood lines have been enhanced with all these new genes. Such a benefit. And to the point, as a young person (b. 1934) I did pay attention to the Second World War and knew much of what was going on. I remember specifically D-Day, the invasion of Normandy in 1944. In grade school we all knew what was going on. And so, getting married in 1963, Claudie and I sat down with her father and aunt and uncle and recorded five hours of conversation about the war years. For the first time they were willing to share that which they did not for the rest of the family or others.

Question: How much of the novel is fiction and how much fact? Was it difficult to use factual events in a fictional work?

Lynmar Brock, Jr.: Having gotten the family's story from them in 1969-70, then visiting France to be with the persons who made the survival of the family possible and gather their stories, I was able to assemble a pretty fair story line with dates in which I have some real confidence. And as new information came, I could test it against that which I already knew--the old method of getting two sources for one piece of information.

The events are real, enhanced by the history and printed by the participants following the war and for their own satisfaction. Also, my father-in-law printed several pamphlets at the university, including citing the 500 sheep missing and the fighting at La Riviere. The events are real. The one place where I am not sure that Andre was present was the incident of the killing at Les Puits de Celas. But that event was real. We have visited all the locations cited. It was easier to use factual events and then work on the dialogue. As I have said to others, I don't have their exact dialogue--it was never written down--but I had them say in the novel what I think they should have said. The dialogue is consistent with my knowledge of both the family and the many French who were there, who participated in the events and shared with me/us over a long period of time their feelings and emotions.

Question: You were in the U.S. Military before retiring to civilian life and becoming a businessman. How did your knowledge of military maneuvers influence your writing of this novel?

Lynmar Brock, Jr.: As a result of serving in the peacetime Navy, I know about military practices which I am sure were practiced by the Germans very effectively. Being in the U.S. Navy is not fun and games. It is a serious business. Being at the Pentagon in the office of the Chief of Naval Operations was a very serious business. I was recalled to active duty on our destroyer in 1961 when President Kennedy activated the reserve destroyers as a result of the raising of the Berlin Wall. It gave me a military perspective. And yes, I'm glad nobody was shooting at me during my service.

Question: Can we expect other historical fiction from you? What are you working on now?

Lynmar Brock, Jr.: Yes. I have written an historical novel, Must Thee Fight, the story of a Quaker youth who decided to join the military during the American Revolution against Quaker teachings and principles. I used the tension I faced when I had to decide whether to join the Navy or become a conscientious objector. I joined the military. And the true story is that only one of my Quaker ancestors joined Washington's army or militia. I have written a third novel, historical fiction, Genevieve, of a Navy officer in the Mediterranean Sea in the 1950s on a destroyer, meeting a beautiful French girl on vacation and the interaction between the two and the activity on a ship and the consequences of the relationship. I am now working on a sequel to Must Thee Fight.

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The Family That Inspired In This Hospitable Land

Click on thumbnails for larger images

La Font, home in the Cévennes	The children bringing wheat in from the fields	Part of the Sauverin Family: Front: Christel, Christian Ida Back: André, Denise, Alex

Katie, Ida, Christel, Genevieve, and Philippe at La Font	Rose Sauverin, walking up from Solyrols up to La Font	Alex and André shoveling manure

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Excerpt

BRUSSELS
May 10, 1940
On what seemed like an ordinary spring day in Brussels, thirty-nine-year-old Professor André Sauverin awoke, rose from his bed, stepped into his small kitchen to start a pot of coffee, then went and opened the single window of this rented room at 172 Chanssee Vleurgat and—as usual—stretched himself fully and took a deep breath. The skies were clear, the temperature mild, and the sun shone brightly, low in the sky, as André gazed east, feeling expansive. He looked forward to his last day of teaching for the week and then his weekend on the coast with his family. Delightfully fresh air poured into the room, scattering dust motes and dispersing the stifling mustiness that had accumulated during the night. But as André relaxed his body, released his breath, and savored the scent of brewing coffee, he realized something was different this morning, something terribly wrong. No birds sang in the park across the way. The world seemed completely, preternaturally still. Wondering at the cause, André leaned out the window and sensed, rather than saw, a vibration which disturbed his visual field. Concentrating, he heard a distant rumbling, soft at first, but steadily rising in volume from a low growl to a terrifying roar. ... view entire excerpt...

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