From the acclaimed author of Knockemstiff?called ?powerful, remarkable, exceptional? by the Los Angeles Times?comes a dark and riveting vision of America that delivers literary excitement in the highest degree.

In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone's Natural Born Killers with the religious and Gothic over­tones of Flannery O?Connor at her most haunting.

Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There's Willard Russell, tormented veteran of the carnage in the South Pacific, who can?t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his ?prayer log.? There's Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America's highways searching for suitable models to photograph and exterminate. There's the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte's orphaned son, who grows up to be a good but also violent man in his own right.

Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.

Amazon Best Books of the Month, July 2011: With The Devil All the Time, author Donald Ray Pollock has crafted an exceptionally gritty, twisted page-turner. This follow-up to 2008's Knockemstiff is set in the Midwest during the mid-century, but reads more like a gothic Western. Lawlessness roams the rural, god-fearing landscape of Ohio and West Virginia, inhabitated by the likes of Pollock's deranged-yet-compelling cast of characters--a husband and wife who take vacations to murder hitchhikers, a faux preacher and his crippled accomplice on the lam for manslaughter, and an orphan with a penchant for exacting violent justice. Needless to say, The Devil All the Time is a brutal novel, but Pollock exacts the kind of precision and control over his language that keeps the violence from ever feeling gratuitous. The three storylines eventually converge in a riveting moment that will leave readers floored and haunted. --Kevin Nguyen

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