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In the Forest: A Novel
by Edna O'Brien

Published: 2003-04-17
Paperback : 272 pages
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In the Forest returns to the countryside of western Ireland, the vivid backdrop of Edna O'Brien's best-selling Wild Decembers. Here O'Brien unravels a classic confrontation of evil and innocence centering on the young, troubled Michael O'Kane, christened by his neighbors "the ...
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Introduction

In the Forest returns to the countryside of western Ireland, the vivid backdrop of Edna O'Brien's best-selling Wild Decembers. Here O'Brien unravels a classic confrontation of evil and innocence centering on the young, troubled Michael O'Kane, christened by his neighbors "the Kindershrek," someone of whom small children are afraid. O'Kane loses his mother as a boy and by age ten is incarcerated in a juvenile detention center, an experience that leaves him scarred from abuse and worse, with the killing instinct buried within. A story based on actual events, In the Forest proceeds in a rush of hair-raising episodes and asks what will become of O'Kane's unwitting victims -- a radiant young woman, her little son, and a devout and trusting priest.
Riveting, frightening, and brilliantly told, this intimate portrayal of both perpetrator and victims reminds us that anything can happen "outside the boundary of mother and child."


In the best of Edna O'Brien's novels, there is a lawless element, a violence, that springs up to satisfy some primal urge: revenge, desire, thwarted love, or even the seemingly contrasting need of a community for balance and order. In the Forest is based on a true story of a local terror, a murderer sprung from the fertile soil of the west Ireland countryside. Michen O'Kane is a loving boy gone bad. His father beat his mother, and his mother died young, leaving 10-year-old Michen to the indifferent care of relatives and teachers. A rich fantasy life and little outside guidance quickly lead to a detention center, where Michen is the prey of bullies, as well as of a kindly priest with an unfortunate use for small boys. But none of these factors fully explains Michen's transformation into a killer. It is one of the strengths of this difficult and beautifully written novel that the lyrical fragments of Michen's tale--told from various points of view--do not completely add up. The dark mysteries of psychosis are left intact. We have only evocative glimpses of Michen's inner world and a crystal-clear image of the ruin he left behind. --Regina Marler

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