Introduction

This is destined to be remembered as one of the most-recognized first sentences in literature -- along with "Call me Ishmael." And Una Spenser, the transcendent hero at the center of Ahab's Wife may well become every bit as memorable as Ahab.

Inspired by a brief passage, in Moby, Dick, Sena Jeter Naslund has created an entirely new universe -- an epic-scale, enthralling and compelling saga, spanning a full, rich, eventful, and dramatic life. In the "soprano voice" whose absence critics lamented in Moby Dick -- the strong intelligent voice of a woman whose life is dominated by the sea -- Naslund tells many stories.

She narrates a family drama, as the child Una is sent away to live in a lighthouse to escape the blows of her religion-mad farther. She spins a romantic adventure, as Una finds early passion with a sailor, and disguised as a cabin boy, runs away to sea. She paints a portrait of a real, loving marriage, as through Una's eyes we see Ahab before the White Whale takes his leg and sends him into madness. Finally, she gives us a new perspective on the American experience, as the widowed Una makes a new life for herself in the company of Margaret Fuller, Frederick Douglass, Emersion and others.

Sena Jeter Naslund has thoroughly imbibed the spirit of Herman Melville, and that spirit permeates every scene of her novel. But great as her debt to Melville may be, Ahab's Wife stands alone, intact and vital. Inspired by a masterpiece, it is a masterwork in its own right.

It has been said that one can see farther only by standing on the shoulders of giants. Ahab's Wife, Sena Naslund's epic work of historical fiction, honors that aphorism, using Herman Melville's Moby-Dick as looking glass into early-19th-century America. Through the eye of an outsider, a woman, she suggests that New England life was broader and richer than Melville's manly world of men, ships, and whales. This ambitious novel pays tribute to Melville, creating heroines from his lesser characters, and to America's literary heritage in general.

Una, named for the heroine of Edmund Spenser's Faerie Queene, flees to the New England coast from Kentucky to escape her father's puritanism and to pursue a more exalted life. She gets whaling out of her system early: going to sea at 16 disguised as a boy, Una has her ship sunk by her own monstrous whale, and survives a harrowing shipwreck:

I was so horrified by the whale's deliberate charge that I could not move. Then my own name flew up from below like a spear: "Una!" Giles' voice broke my trance, and I scrambled down the rigging. No sooner did my foot touch the deck than there was such a lurch that I fell to my face. I heard and felt the boards break below the waterline, the copper sheathing nothing but decorative foil. The whole ship shuddered. A death throe.

The ship dies, but Una returns to land to pursue the life of the mind. The novel's opening line--"Captain Ahab was neither my first husband nor my last"--also diminishes Melville's hero in the broader scheme of things. Naslund exposes the reader to the unsung, real-life heroes of Melville's world, including Margaret Fuller and her Boston salon, and Nantucket astronomer Maria Mitchell. There is a chance meeting with a veiled Nathaniel Hawthorne in the woods, and throughout the novel the story brims with references to the giants of literature: Shakespeare, Goethe, Coleridge, Keats, and Wordsworth. Although her novel runs long at nearly 700 pages, Naslund has created an imaginative, entertaining, and very impressive work. --Ted Leventhal

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