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The Night of the Comet: A Novel
by George Bishop

Published: 2013-07-30
Hardcover : 336 pages
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A KIRKUS REVIEWS "BEST BOOKS OF 2013"
 
NEW YORK POST "REQUIRED READING"
 
PEOPLE MAGAZINE STARRED REVIEW
 
From the acclaimed author of Letter to My Daughter comes an engrossing coming-of-age tale that deftly conveys the hopes and heartaches of adolescence, and the unfulfilled dreams ...
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Introduction

A KIRKUS REVIEWS "BEST BOOKS OF 2013"
 
NEW YORK POST "REQUIRED READING"
 
PEOPLE MAGAZINE STARRED REVIEW
 
From the acclaimed author of Letter to My Daughter comes an engrossing coming-of-age tale that deftly conveys the hopes and heartaches of adolescence, and the unfulfilled dreams that divide a family, played out against the backdrop of a small southern town in 1973.
 
For his fourteenth birthday, Alan Broussard, Jr., receives a telescope from his father, a science teacher at the local high school who's anxiously awaiting what he promises will be the astronomical event of the century: the coming of Comet Kohoutek. For Alan Broussard, Sr.--frustrated in his job, remote from his family--the comet is a connection to his past and a bridge to his son, with whom he's eager to share his love for the stars.

 
But the only heavenly body Junior has any interest in is his captivating new neighbor and classmate, Gabriella Martello, whose bedroom sits within eyeshot of his telescope's lens. Meanwhile, his mother Lydia sees the comet--and her husband's obsession with it--as one more thing that keeps her from the bigger, brighter life she once imagined for herself far from the swampy environs of Terrebonne, Louisiana. With Kohoutek drawing ever closer, the family begins to crumble under the weight of expectations, and a startling turn of events will leave both father and son much less certain about the laws that govern their universe.
 
Illuminating and unforgettable, The Night of the Comet is a novel about the perils of growing up, the longing for connection, and the idea that love and redemption can be found among the stars.
 
Praise for George Bishop's Letter to My Daughter
 
"A first novel of immense power . . . George Bishop is a novelist to keep your eye on."--Pat Conroy, author of South of Broad
 
"Gripping . . . [Bishop] somehow gets into a teenage girl's head and roams around there like a native. You believe in Laura; her voice never hits a false note."--Star-News (Wilmington, N.C.)
 
"George Bishop writes Letter to My Daughter with a keen eye, an open heart, and a lot of love. I am sure I will return to it again as a cautionary tale and a parable of forgiveness."--Adriana Trigiani, author of The Shoemaker's Wife
 
"Before you sit down to read this book, put aside a few hours or else you'll miss some appointments. You will be pulled into every paragraph."--Clyde Edgerton, author of The Night Train

Editorial Review

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Excerpt

We are stardust, we are golden,

We are billion-year-old carbon,

And we got to get ourselves back to the garden.

—Joni Mitchell, “Woodstock”

“Hey, look! It’s right out there. I tell you, it’s one of the most

beautiful creations I’ve ever seen. It’s so graceful.”

“It’s yellow and orange, just like a flame.”

—astronauts Edward Gibson and Gerald Carr, on spotting

Comet Kohoutek from Skylab, December 1973

HERE in Baton Rouge you can still see the stars at night.

Our backyard abuts the last patch of pastureland in the neighborhood, a piece of the old Pike-Burden farm still hanging on at the edge of the city. On a clear night like tonight, when my wife and boy are busy inside, I like to leave my desk for a few minutes and walk down to the rear of our yard, down to where my quarter acre ends at a low ditch and a barb-wire fence, and take in the night air. Beyond the fence the land stretches out flat as calm water. Stands of pine and oak ring the field. Off in the far corner a cow pond gleams in the moonlight. From the east comes the swish of cars passing on Perkins Road; from the north, the distant rumble of trucks on I-10.

But a person can’t stand for long on a night like this without looking up. Call it the lure of the ineffable: your eyes are drawn skyward, and there they are. The stars. The night is filled with them. They cluster, they scatter, they shine, they go on forever. They’re beautiful, aren’t they? I’m no expert; I can name only the brightest ones, pick out the most obvious constellations: there’s Polaris, Sirius, and Vega; Ursa Major, Ursa Minor, Cancer, and Gemini . . . But no matter how little I know them, I still love the stars. How could anyone not? Wherever you go, you know they’ll always be there, shining. All you have to do is turn your eyes up.

Also up there, I know, somewhere behind the stars, is the comet. You don’t hear much about Kohoutek these days—“C/1973 E1” as it’s known by its modern designation. You can’t see it now; not even the most powerful of telescopes can see it. It’s billions of miles away, far beyond the edge of the solar system, a small lump of ice and rock spinning out into the black vacuum of space. In the planetary scale of things, Kohoutek barely registers as a speck of dust; really, it’s nothing anyone needs to be afraid of anymore. And yet, lately, when the sky is clear and the neighborhood is quiet, I find myself thinking about it. In fact, more and more, I find I can hardly stop thinking about it.

I suppose it’s because I’m turning forty soon, the same age my father was when the comet came crashing through our lives, and I worry that heredity might catch up with me at last—that a genetically preprogrammed crisis is due for a generational reoccurrence right about now and I won’t be able to dodge it.

Or perhaps it’s because in not so many years my own son will be the age I was then, and I worry for him, worry that he’ll finally have to step up to the world, the real world of hope and love and loss, and I don’t want him to have to go through all that like I did. I believe if I could, I’d put a blindfold on Ben and pick him up and run with him through all the burning years of his adolescence and not set him down again until he’s safe on the other side, when he’s thirty or so and I know he’ll be all right.

Because it’s not true what they say, that you get over it—that with time, whatever happens to you, good or bad, drifts away into the harmless river of the past. You never get over it, not really. The past never leaves you. You carry it around with you for as long as you live, like a pale, stubborn worm lodged there in your gut, keeping you up at night.

My son’s in the house behind me now, helping his mother clean up after dinner. The kitchen window’s open. I can hear the soft rattle of dishes as they load the washer, their voices as they talk about beautifully inconsequential things. (“If you use too much soap, then what happens?” “I don’t know. Maybe the dishwasher will explode.” “No, it won’t!”)

The comet, I know, is long gone, not to return for millions of years. In another sense, though, it never left. It’s still there; it’ll always be there, hanging like a black star above my head wherever I turn. And on an evening like this, all it takes is the sound of my boy’s voice, and the bright stars above, and the cool air wafting around me, to stir the worm of memory. Then the past comes flooding back, and whether I want to go there or not, I’m instantly transported again to that night.

* * *

“Dad? Dad, is that you?”

I sat up in bed to listen. The night was quiet; the Moon shone in at my window. I wasn’t altogether sure if I was still dreaming or not. I heard a rattling noise outside at the garage shed, and I got up and went to the top of the stairs.

“Dad?”

But his bedroom door was ajar and the house was empty, as I knew it would be. There was the tilting Christmas tree in the corner, the TV set, the couch, the rug, the chairs, all looking abandoned. The broken telescope, what was left of it, sat in pieces on the floor near the back door. I paused just long enough to pick up the phone in the living room and dial a number.

“Something’s wrong. Something terrible is happening . . . Hurry.”

Copyright © 2013 by George Bishop. All rights reserved. Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New Y view abbreviated excerpt only...

Discussion Questions

1. The Night of the Comet features the Broussard family: Alan; his wife, Lydia; their daughter, Megan; and their fourteen-year-old son, Alan Junior, the narrator. With which character do you identify the most? Who, if anyone, would you call the hero of the story?

2. The backdrop of the novel is the coming of Comet Kohoutek in 1973. Had you heard of—or seen—this comet before reading the book? Is there anything surprising that you learned about comets from the novel?

3. The novel is set in Terrebonne, a fictional small town in south Louisiana. How important a role does the setting play in the story? Could the novel have been set elsewhere?

4. The narrator, Junior, says that this comet is “more than just a comet,” and he credits the comet for bringing dramatic changes to his family. Do you see the comet as possessing supernatural properties in the story? If the comet can be read as a symbol, what would you say it represents?

5. Lydia Broussard enjoys reading her horoscope before breakfast, and she seems to believe in the prophetic power of astrology, despite her husband dismissing it as “nonsense.” Do you read your own horoscope? Why or why not?

6. Halfway through the book, when asked by his son about love, Alan Senior claims that love is nothing but a story, “like [the] fairy tales that we tell each other, tell our kids, to keep us going.” Why would he say this to his son? By the end of the story, do the characters’ actions bear out Alan’s claim, or not?

7. The Night of the Comet has been described by reviewers variously as “sad,” “quiet,” and “hilarious.” What adjectives would you use to describe the novel?

8. Was there anything about the ending of the novel that surprised you? Which characters, if any, get a happy ending?

9. The Night of the Comet is classified as “Fiction—Contemporary Women; Family Saga; Literary.” Do you think these are good descriptions of the book? Or is there some other category under which you would shelve it?

Notes From the Author to the Bookclub

“A quiet, occasionally bittersweet novel about the differences between desire and disappointment, expectations and reality.”—Booklist

“Hilarious and heart-wrenching, ethereal and earthy, The Night of the Comet points us to the fragile universe of dreams and disappointments, joy and tragedy, saying here it is, all of it: feast your eyes on the magic. It’s a heavenly book. Nobody writes about the gravitational pull of parent-child relationships—all that we yearn for and all that we can’t have—like George Bishop.”—Minrose Gwin, author of The Queen of Palmyra

“Equally sweet and sad, this is a fine novel of love and forgiveness.”—Stewart O'Nan, author of Snow Angels

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