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Moonrise
by Cassandra King

Published: 2013-09-03
Hardcover : 400 pages
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Recommended to book clubs by 1 of 1 members

When Helen Honeycutt falls in love with Emmet Justice, a charismatic television journalist who has recently lost his wife in a tragic accident, their sudden marriage creates a rift between her new husband and his oldest friends, who resent Helen’s intrusion into their tightly knit ...

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Introduction

When Helen Honeycutt falls in love with Emmet Justice, a charismatic television journalist who has recently lost his wife in a tragic accident, their sudden marriage creates a rift between her new husband and his oldest friends, who resent Helen’s intrusion into their tightly knit circle. Hoping to mend fences, the newlyweds join the group for a summer at his late wife’s family home in the beautiful Blue Ridge Mountains. Helen soon falls under the spell not only of the little mountain town and its inhabitants, but also of Moonrise, her predecessor’s Victorian mansion, named for its unique but now sadly neglected nocturnal gardens. But the harder Helen tries to fit in, the more obvious it is that she will never measure up to the woman she replaced.

 Someone is clearly determined to drive her away, but who wants her gone, and why? As Emmet grows more remote, Helen reaches out to the others in the group, only to find that she can’t trust anyone. When she stumbles on the secret behind her predecessor’s untimely death, Helen must decide if she can ever trust—or love—again.

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Discussion Questions

Houses play an important role in Moonrise in any number of ways, and they are often contested spaces--either inherited, temporary, or uncomfortable, etc. How does architecture contribute to our understanding of the characters in the novel?

How are the houses revealing of larger constructions of "home"? Early in the novel, Tansy observes, "The graveyard is where all our stories end." Is this true? How does the nocturnal garden at Moonrise challenge (or confirm) Tansy's claim?

Water is an important symbol in Moonrise, as it is in all of King's work. It takes many forms here: the drought, the experience at the falls, Kit's Oriental garden, the rain at the novel's conclusion, to name a few.

How does water function as a symbol in the novel? Moonrise is told from three distinct narrative perspectives. What might we conclude about the voices that are absent from the novel, however, most obviously Rosalyn's?

Like Maxim de Winter, Emmett is the older, wealthier, and arguably more powerful partner in his marriage, and, in fact, his role in Helen's success remains unclear. (Kit and Tansy intimate that he assisted in the creation of Helen's cooking show, but this rumor is never disproved.) How does power play out in their relationship? What parallels are evident here between Moonrise and Rebecca? What role does nature (butterflies, the garden, the mountains, etc.) play in the novel? How is it both threatened and threatening? Moonrise is filled with unconventional relationships-the friendship between Willa and Linc, the connection between Tansy and Noel, and even the "sisterhood" of Rosalyn and Kit. Many of these characters define themselves in very conventional ways according to expectations of class and gender. How do these friendships allow characters to see themselves in new, less restricted ways? What risks are inherent is stepping out of these established boundaries?

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Member Reviews

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  "Intriguing "by Janice B. (see profile) 11/10/13

I found the book reminiscent of an Alfred Hitchcock style movie which did influence the author. The book paces well and each chapter is from another characters perspective. You want to return to the characters... (read more)

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