Introduction

Nathan Winer, a young and headstrong Tennessee carpenter, lost his father years ago to an evil that is greater and closer at hand than any the boy can imagine. Amber Rose is a beautiful young woman forced to live with that evil, who recognizes Nathan as her only chance of escape. William Tell Oliver, a solitary old man, watches the growing evil from the dark woods and adds to his own weathered guilt by failing to act at the most crucial of moments.

Editorial Review

In Willam Gay's debut novel, The Long Home, the devil comes to Tennessee in the form of one Dallas Hardin, a vile and violent man who brings tragedy in his wake. Set in the backwoods South of the 1940s, Gay's tale is populated with a colorful array of types familiar to readers of William Faulkner, Cormac McCarthy, and other practitioners of that particular brand of larger-than-life literature that seems to thrive south of the Mason-Dixon Line. Though the types might be familiar, Gay does an impressive job of making them his own, each with his or her distinctive, fully human qualities that transcend the roles they play as bootlegger, town drunk, or even hero.

The story opens when Dallas Hardin ("Old Nick," according to one character--"or whatever he's goin' by now") comes to town and wrests away home, wife, and whiskey still from the seriously ill Thomas Hovington. Only in a Southern novel could such an event be preceded by the inexplicable opening of a brimstone-scented pit near the victim's house without the reader even blinking an eye. Enter young Nathan Winer, hired by Hardin to build a honky-tonk. Winer starts out thinking he can earn his wage while steering clear of his employer's evil ways, but it soon becomes apparent that he can't--especially after he falls in love with Tom Hovington's daughter, now Hardin's stepdaughter, Amber Rose. Having given his heart, Nathan has taken the first inexorable step towards a final, deadly confrontation with the devil.

If Gay's themes are big--nothing less than the battle between good and evil--and his metaphors drawn unabashedly from that old-time religion, his novel is nonetheless firmly grounded in the flesh-and-bone world--sometimes nightmarishly so. There is a lot of blood spilt over the course of this novel, in myriad ways and in graphic detail. Indeed, one quality that The Long Home shares with most of Cormac McCarthy's work is that it is definitely not for the faint-hearted. But Gay balances the horror with moments of true beauty, and his novel is undeniably compelling. Enjoy it for its many strengths and for its promise of a bright literary future --Sheila Bright

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