Introduction

The the body of an impeccable businessman from Vienna is discovered in an elaborate garden where topiary shrubs delineate a hidden chessboard behind the hedges. Apparently the death is a suicide without plausible motivation, but as the plot of this passionately colored, coolly controlled thriller unfolds, readers see that its apparently random moves are "variations" on an opening gambit, which can only end in a checkmate that annihilates the possibility of a rematch.

Editorial Review

A man is found shot in his garden, in a village not far from Vienna. Unable to be defined as either a suicide or a homicide, the death is called one of "mysterious circumstances." The garden--unlike the prominent citizen's life--is highly unusual, a "concentric maze of ten-foot-high hedges leading to a chessboard-shaped clearing paved with squares of white and black marble." Frisch, the murdered man, was obsessed with chess, and the novel's chilling first sentence--"They say that chess was born in bloodshed"--bears this out.

In this first novel, Paolo Maurensig coolly executes the ultimate drama of manipulation--life as a game of chess. On this armature, he hangs a tale of vengeance set against a backdrop of historic villainy, Nazi against Jew. The two chess players are as black and white as can be--a persecuted Jew and a ruthless, persecuting German who first "duel" over a chessboard in an international tournament, and then in a concentration camp. The narrative is a meticulous reconstruction of the moments and background events that led to Frisch's death. Ingeniously referring everything back to the machinations and executions of movements in a chess game, life itself is at stake as the inescapable sins of the past catch up with the chess-obsessed characters.

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