Introduction

Hearts In Atlantis is composed of five interconnected, sequential narratives set in the years from 1960 to 1999. Each story is deeply rooted in the sixties, and each is haunted by the Vietnam War.

In "Low Men in Yellow Coats," eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood and that adults are sometimes not rescuers but at the heart of the terror.

In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest...and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.

In "Blind Willie" and "Why We're in Vietnam," two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow and haunted as their own lives.

And in "Heavenly Shades of Night Are Falling," Bobby returns to his hometown where one final secret, and his heart's desire may await him.

Full of danger, suspense, and full of heart, Hearts In Atlantis takes some listeners to a place they have never been...and others to a place they have never been able to completely leave.

Editorial Review

With his idiosyncratic blend of patrician airs and boyish charm, narrator William Hurt provides a wonderful complement to this wildly imaginative collection of short stories by author Stephen King. Hurt carefully weaves the disparate elements into a cohesive whole, embracing the subtle complexities of each character; one moment a wizened sadness leaks into his voice as a haunted old man, pursued by demons, asks his 11-year-old lookout, "You know everyone on this street, on this block of this street anyway? And you'd know strangers? Sojourners? Faces of those unknown?" Then, in a profound yet almost imperceptible switch, he exposes the boy's naive enthusiasm, "I think so." Right about here your neck hairs will stand at attention. Hurt's peculiar vocal style is in perfect pitch to King's dark, surreal vision of growing up amid the monsters of post-Vietnam America. (Running time: 21 hours, 20 CDs) --George Laney

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