Introduction

* National Bestseller and winner of the 2014 International IMPAC Dublin Literary Award
* Hailed by Edmund White as "a brilliant new novel" on the cover of the New York Times Book Review
* Lauded by Jonathan Franzen, E. L. Doctorow and many others
 
From a global literary star comes a prize-winning tour de force – an intimate portrayal of the drug wars in Colombia.

Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia.

In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare.

Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and his literary star—even higher.

Editorial Review

An Amazon Best Book of the Month, August 2013: Juan Gabriel Vasquez will draw comparisons to other major Latin American icons. But while the influence of Roberto Bolaño, Mario Vargas Llosa, and Gabriel García Márquez are present throughout his second novel, The Sound of Things Falling, he is a unique literary talent. Translated from Spanish (and exceptionally well, at that), Vasquez moves swiftly and subtly, opening in Bogota, Colombia, reflecting on the mid-’70s when the country was being taken over by drug lords and cartels (fueled by the U.S.’s hunger for cocaine). Law professor Antonio Yammara finds his fate intertwined with that of a shady ex-pilot named Laverde. But Things Falling is so much more than a drug story. This is a sensory novel. Antonio wrestles with the way he interprets by his surroundings, by how the external world affects the internal. “[I]t’s always disconcerting to discover, when it’s another person who brings us the revelation, the slight or complete lack of control we have over our own experience.” The Sound of Things Falling does so much at once: it’s a novel about how the U.S. dangerously influences Latin America, how the present never escapes the past, and how fragile our relationships--romantic and familial--can be. --Kevin Nguyen

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