Introduction

Las Vegas, 1994.

The Prices are introduced by Viola, the family's outspoken matriarch: Her husband, Cecil, has shut the door behind him for the last time; and their four adult kids, scattered across the country, seem determined to send her to her grave, or at least to the hospital with worrying. Paris is divorced, mother to a nearly seventeen-year-old son and the one who always comes to everybody's rescue—although she doesn't have a clue as to how to save herself. Lewis is the scapegoat, and his troubles keep landing him in jail, which only seems to confirm what his family thinks he is. Out in Chicago, Charlotte knows she's gotten the short end of the stick for years, has "nothing in common except blood" with her parents and siblings and would just as soon divorce them all. Janelle, the baby of the family, is not only on the defensive about the course of her own life but she's facing a new crisis, a fast-brewing storm with her teenage daughter that threatens more than she's willing to admit. And don't even ask Viola about Cecil: "He's a bad habit I've had for thirty-eight years which would make him my husband." But Cecil has some ideas for taking his hardworking life into his own hands, regardless of what his wife and kids think about it.

With her hallmark exuberance and a cast of characters so sassy, resilient, and full of life that they breathe, dream, and shout right off the page, Terry McMillan has given us a tour-de-force novel of family, healing and redemption. A Day Late and a Dollar Short takes us deep into the hearts, minds, and souls of America—and gives us six more friends we never want to leave.

Editorial Review

Terry McMillan's novels feature chatty, catty narrators who have a story they're just busting to tell you. The dominant voice in A Day Late and a Dollar Short is Viola Price, whose asthma just sent her to the ICU. And who came to visit? The Jheri Curl-wearing Cecil, "a bad habit I've had for thirty-eight years, which would make him my husband." Viola doesn't think Cecil's such a catch: "His midlife crisis done lasted about 20 years now," and "to set the record straight, Cecil look like he about four months pregnant." But somebody did catch Cecil--he recently left Viola for "some welfare huzzy" with three kids. And, as we soon find out in Cecil's first-person chapter, Viola has abundant flaws of her own. McMillan deftly sketches the exasperated intimacy of the long and unsuccessfully married.

She also has great dish about family dynamics. Have Cecil and Viola's kids got problems! When lovable, luck-free Lewis turns up to visit his mom, he's drunk, broke, and still whining about his ex, Donnetta, who "didn't have as much sense as a Christmas turkey" (though she did have the sense to dump Lewis). Now Lewis consoles himself with his Bobbing Betty doll. "How could somebody with an IQ of 146 be so stupid?" marvels Viola. And that Charlotte! Viola's daughter is "a bossy wench from the word go." (Gee, where could she have gotten that trait?) Charlotte feels like she never got her fair share of attention, having been born 10 months after the eldest daughter, Paris (now the driven mom of a brilliant athlete whose white girlfriend claims she's pregnant). Charlotte took it out on younger Lewis and Janelle, who's been in college 15 years with no degree in sight.

At first, you'll make ample use of the family charts in the endpapers to figure out who's who, but pretty soon you'll feel right at home with the squabbling, multiply dysfunctional, ultimately loving Price clan. You may agree with Viola: "Some folks got some stuff that can top ours. Hell, look at the Kennedys." --Tim Appelo

Excerpt

No Excerpt Currently Available

Discussion Questions

No discussion questions at this time.

Weblinks

There are no web links at this time.

Book Club Recommendations

Recommended to book clubs by 0 of 0 members.

Member Reviews

There are no user reviews at this time.
Rate this book