Introduction

First Place Winner of the 2013 Chanticleer Book Award for Best Historical Mystery. Finalist in the Best Digital Fiction Award, New Generation Book Awards, 2014.

In post Civil War New York City, Detective Pat O'Malley is living inside Poe's Cottage in the Bronx. O'Malley is haunted by Poe one night, and the detective finds a strange note. As a result, O'Malley decides to prove that Edgar Allan Poe did not die in Baltimore from an alcoholic binge but was, instead, murdered. O'Malley quickly becomes embroiled in a "cold case" that thrusts him into the lair of one of the most sinister and ruthless killers in 1865 New York City. Jim Musgrave's "Forevermore" is a quick read in four acts that will keep your mind razor sharp trying to solve the mystery of Poe's murder. Pat O'Malley must first find out how to become intimate with females before he can discover the final clue in this puzzle of wits, murder and romance.

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Excerpt

October 3, 1849, Baltimore

Edgar fingered the outline of the Uberti pocket revolver. It was resting in a leather holster strapped diagonally across his chest beneath the black vest and under the black waist coat. As the hunted, he was well aware of the extra thunder he required in order to even the odds against the hunter. Where could his antagonist be? Was he perhaps the tall gentleman sitting in the window seat across the aisle from him? Edgar thought he saw the man glance in his direction several times after they both got on in New York.

It was so much easier writing down the plots of his mysteries. The writer is his own master, and the machinations of both hero and villain are clearly delineated in his mind from the outset. The reality of sleuthing in real time was quite different, however. He was at once aware of the immediate and infinite possibilities surrounding him. It was as if he were tasked with the job of describing every detail in this club car. There were two rows of seats on each side of the aisle, but not all seats were taken. He would need to walk slowly down the aisle to look at each suspect, evaluating his demeanor for telltale signs of nervousness or some tick in his mannerism that might give him away. This person could even be female, which would put into play even more possibilities for hidden weapons.

Instead, Edgar stared out of the window at the passing scenery, keeping his fingers folded over the gun, willing the courage into his being, as if the passage of time in the moment could inoculate him against the evil forces outside his mind. The green farm land rolled past like an emerald ocean. The speed of the powerful steam locomotive made Nature its plaything.

Edgar knew he had the upper-hand because they did not know he was on to them. Yes, the fictitious Detective C. Auguste Dupin would have had the advantage of assembling his evidence at a much slower pace. He would have sipped at his cordial while lounging inside his boudoir, fitting the evidence together as one fits together a picture puzzle. The pieces of his urgent puzzle, however, were assembling themselves all around him, and he was not in charge of their arrangement. Instead, it was his job to be the subservient mouse, the obsequious deer, or the meek rabbit. His sole advantage was the element of surprise and the hard lump of insurance under his jacket.

The conductor made his way down the aisle, his pocket watch bobbing up and down on its chain over his portly frame, his black uniform cleanly pressed with brass buttons gleaming under the lights as he shouted, “Bal-ti-more station! All those disembarking, please assemble at the double-doors! Last call for Bal-ti-more!”

Edgar slowly rose from his seat, keeping Dr. Carter’s expensive Malacca cane in his right hand, watching the other passengers carefully to ascertain their demeanor towards him. He had accidentally taken the Richmond, Virginia physician’s cane instead of his own. Edgar’s right upper molar was bothering him again. It throbbed like a hellish demon, but his fear of the dentist had kept him in this insufferable state for three weeks now. He waited until all the others had formed a queue at the doors before he stepped out into the aisle. A woman in an ostrich feathered hat, a man in a bowler, and three youths in knee pants chasing each other around their mother. He moved behind them all as the doors whooshed open and their little crowd stepped down the steps onto the station platform.

The others scattered like chickens in the barnyard, and Edgar just stood there, looking up and down the train depot, watching for approaching danger. The devil winds were licking up eddies of abandoned rubbish, whirling it in haphazard, circular gusts. He could smell the engine exhaust, as it began its combustion process. The loud steam whistle blared out over the wooden platform, and the wheels of the train began to circle, slowly at first, and then with more speed, as the gigantic metal beast made its way out of the station.

Everything he observed took on ominous features as he walked out onto the paved street that led down to the wharf toward the pier where the ships were docked. They would soon be after him, and his entire body was on alert. He again fingered the pistol, and his other hand went up to his cheek to press on the throbbing toothache. He tried to walk as casually as possible down Light Street on the inner harbor. He didn’t know where he was headed; he simply wanted to show himself to the ones he knew were after him. The passing pedestrians nodded to him as he walked, and he nodded back.

He was struck from behind. The tall man in a gray top hat and matching frock coat had raised his arm with a quick motion and then brought the leather sack filled with musket balls down upon Edgar’s head. The other man, a short, stocky gent in a brown bowler, caught the falling victim and immediately wrapped Edgar’s left arm around his own shoulder. The gray man took Edgar’s right arm and wrapped it around his shoulder, and they both began to drag the body down the street toward the docks.

When they passed inquisitive faces, Gray said, “Poor Bill’s in his cups, again, I’m afraid,” and they continued to drag Edgar down the street. It was now dusk and the gas lights were being lit all along the walk. The horizon in the west was bleeding scarlet and blue as the sun sank behind the hills. The two men came up to a dilapidated shed on the waterfront, and Gray put a key inside the mortise lock, opened the door, and they carried Edgar inside.

* * *

When he came to consciousness, Edgar could smell the odor of alcohol all over his person. As a recently sworn member of the Sons of Temperance, this appearance of inebriety was most unseemly to him. He no longer wore his black frock coat and cravat. Instead, he wore tattered pantaloons that were too short and a long-sleeved white shirt and a black Bombazine alpaca coat that was soiled, ripped at the seams and reeking of robust spirits.

As his blurry vision improved, he looked around. He was downtown in Baltimore, and he was sitting on a bench in front of a tavern. He could hear the loud shouts of the patrons inside and the odor of burning cigars and pipes made his stomach lurch. He felt the top of his head, and it was adorned with a frazzled straw hat, something he would have never worn. Strangely, he still had the cane given to him by Dr. Carter. The blackguards had not taken that. He absent-mindedly twisted the gold hound’s head at the top of the cane and it unscrewed and pulled forth to reveal an eight-inch blade. Dr. Carter’s cane was also a weapon, it seemed, and something he had no use for now. His Italian pistol, of course, had been confiscated, and he had been dropped off in front of this tavern. He turned around to see the name on the building’s façade: Gunner’s Hall.

He could barely stand, and his mind kept playing tricks on him. Was it a fever that seemed to be spreading throughout his body? He grabbed the cane and lurched toward the entrance to the tavern. Perhaps he could get help from someone inside. However, when the swinging doors opened, he saw dozens of men standing about, and they each had the head of a cat! The pointed ears, the large pupils, the needle whiskers sprouting from a furry snout, and they all turned toward him in unison and snarled to reveal their sharp fangs! Was he insane?

Edgar turned around and staggered back out onto the boardwalk. The earth began to spin, out of control, and he sat backward down on the bench. He remembered the story he once wrote about a black cat that was buried inside the wall along with the murder victim. He felt as if he had been buried inside himself, as he could not make sense of his own thoughts as they tried to assemble in his brain. Instead, he lay down on the bench, and his throat constricted like it was inside a noose, and then he screamed, at the top of his lungs, “Reynolds! You bastard! Reynolds!” The darkness closed in upon him, and he passed into a state of delirium, never to fully revive again upon this earth. view abbreviated excerpt only...

Discussion Questions

1. How do dreams help O’Malley overcome his fear of sexual intimacy?
2. What importance does the symbol of the “black cat” have to this mystery?
3. What importance is the murder of Mary Rogers to Patrick O’Brien and his attempt to solve the Poe murder case?

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