Introduction

Psychotherapist Irvin D. Yalom probes further into the mysteries of the therapeutic encounter in this entertaining and thoughtful follow-up to his bestselling Love's Executioner

In six enthralling stories drawn from his own clinical experience, Irvin D. Yalom once again proves himself an intrepid explorer of the human psyche as he guides his patients--and himself--toward transformation. With eloquent detail and sharp-eyed observation Yalom introduces us to a memorable cast of characters. Drifting through his dreams and trampling through his thoughts are Paula, Yalom's "courtesan of death"; Myrna, whose eavesdropping gives new meaning to patient confidentiality; Magnolia, into whose ample lap Yalom longs to pour his own sorrows, even as he strives to ease hers; and Momma--ill-tempered, overpowering, and suffocating her son with both love and disapproval. A richly rewarding, almost illicit glimpse into the therapist's heart and mind, Momma and the Meaning of Life illuminates the unique potential of every human relationship.

Editorial Review

Tales of therapy are also tales of therapists, and Irvin D. Yalom--author of much bestselling psychiatric fiction and nonfiction--is a seasoned storyteller. This new collection of "tales from the couch," part memoir and part fiction, is the work of a therapist unafraid to become deeply engaged with his patients; people, not pathology, are the stuff of Yalom's psychotherapy. Ego, doubt, and fantasy are rarely confined to the couch, and the doctor learns as much from his patients as they from him.

Here Yalom introduces us to Paula, whose losing fight against cancer teaches us that fear is only one of the many colors that brighten our dying; to Irene, a skilled surgeon whose dreams provide tantalizing clues for the psychological gumshoe intent on discovering the irrational terror behind her impressive intellect; to Magnolia, the earth mother whose inexplicable paralysis and imaginary infestations seemed her body's way of punishing her for aspirations aimed too high; and to Momma herself, half protector, half mythological monster, guardian at the gates of the psychotherapist's own unconscious. And, opening up the case files of the fictional Ernest Lash, Yalom reminds us that psychiatrists, too, are human. Like Oliver Sacks, Yalom spins the labyrinth threads of consciousness into the rich tapestry of something much grander. Therapy is not for the weak of heart, doctor or patient; in these pages, the journey toward healing and self-awareness reveals itself to be not about passivity, but courage. --Patrizia DiLucchio

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