Introduction

Now in paperback--the New York Times bestseller from the acclaimed author of Good in Bed! Meet Rose Feller, a thirty-year-old high-powered attorney with a secret passion for romance novels. She has an exercise regime she's going to start next week, and she dreams of a man who will slide off her glasses, gaze into her eyes, and tell her she's beautiful. She also dreams of getting her fantastically screwed-up, semi-employed little sister to straighten up and fly right. Meet Rose's sister, Maggie. Twenty-eight years old and drop-dead gorgeous. Although her big-screen stardom hasn't progressed past her left hip's appearance in a Will Smith video, Maggie dreams of fame and fortune -- and of getting her big sister on a skin-care regimen. These two women, who claim to have nothing in common but a childhood tragedy, DNA, and the same size feet, are about to learn that they're more alike than they'd ever imagined. Along the way, they'll encounter a diverse cast of characters -- from a stepmother who's into recreational Botox to a disdainful pug with no name. They'll borrow shoes and clothes and boyfriends, and eventually make peace with their most intimate enemies -- each other.

Editorial Review

The Feller sisters are equal but opposite. Maggie is the good-looking, dyslexic little sister who knows how to get anything she wants--but not how to keep it. She "felt as if somewhere between the ages of fourteen and sixteen she'd walked off the edge of a cliff and had been falling ever since." Rose is the plump, practical, responsible older sister who knows about law but not much about her own happiness: "What did she like, besides shoes, and Jim, and foods that were bad for her?" When Maggie's latest eviction lands her in Rose's apartment, and Maggie insults Rose by seducing one of her sister's rare boyfriends, what follows is a chain of events by turns hilarious and heartbreaking. Embarrassed Rose evicts Maggie and begins a work sabbatical leading to a new livelihood and way of living. Maggie flees and runs away to Princeton. Masquerading as a student, she learns to love poetry and saves money for a trip to Miami--and a visit to a long-lost grandmother named Ella who might offer her a last shot at sanctuary. But In Her Shoes, the second novel from Good in Bed author Jennifer Weiner, is about more than the sisters' latest sibling rivalry; Maggie and Rose must sort out the childhood vulnerabilities and family mysteries that still linger two decades after their mother's death. In less capable hands, the plot might grow corny, but Weiner's humor and affection for the characters ultimately helps them transcend both neuroses and grief and learn the redemptive power of love. --Jane Hodges

Excerpt

In Her Shoes
one

"Baby," groaned the guy -- Ted? Tad? -- something like that -- and crushed his lips against the side of her neck, shoving her face against the wall of the toilet stall.

This is ridiculous, Maggie thought, as she felt him bunching her dress up around her hips. But she'd had five vodka-and-tonics over the course of the last hour and a half, and at this point was not in much of a position to call anything ridiculous. She wasn't even sure she could pronounce the word. ... view entire excerpt...

Discussion Questions

Questions from the Publisher's Reading Guide:

1. Through the eyes of these two young women, we get a pretty modern view of the world. What then, do you make of the rather traditional ending: the fairy-tale marriage that seems to embody all the hopes of the future? Do you think the author is playing with this concept, or using it to offset her rather un-traditional story line?



2. The author utilizes a rather unusual technique when she tells the story through shifting points of view. How did this affect your reading of the story? Why might the author have chosen to do this? Do you think there are insights that could only have come out through multiple perspectives, or do you think the author wanted the ambiguity and clashing perspective that shifting points of view can elicit in a reader?



3. In many ways, this is really a story about growth, change, and transformation. Discuss the ways that virtually all of the characters alter their old, comfortable ways of being, acting, and thinking (or lack of thinking, in Maggie's case) throughout the course of this story. How easy does it seem for the characters to change? Would you consider intense pain or disillusionment (with a person or a job) to be the main catalyst for much of this change, or do you think something else sparks it?



4. Body image, for both sisters, obviously affects how they view the world around them. While Rose, at least in the beginning of the story, seems almost apologetic about her body, Maggie uses hers like a weapon, moving through the novel with a confidence that borders on aggressive. In what ways do you think their physical bodies, or perhaps the reactions that they receive from others regarding their physical bodies, helps create the people that they ultimately become?



5. Early in the novel, we get a rather painful and disturbing view of Rose's childhood during the scene on the dodgeball court. And while we would expect, or at least hope, that her sister might step in and try to protect Rose in such a humiliating moment, Maggie stands watching, obviously in pain, but frozen. In fact, Maggie goes so far as to blame her sister, asking herself, "Why did she have to wear those [underwear] today" and reassuring herself that "[Rose] brought this on herself." Were you shocked by Maggie's coldheartedness? Do you think that there were mitigating circumstances that help to explain this cruelty?



6. Forgiveness plays a central role in this story, as many of the characters struggle with their need for family and their inability to let bygones be bygones. To what degree do you think forgiveness paves the way for the story's resolution? Would you have forgiven Maggie? If you were Ella, would you have forgiven Michael Feller for having shut you out of Rose and Maggie's childhood? What seems more central to this story: the idea of self-forgiveness or forgiving others?



7. At times, it seems as if Maggie has created, in herself, the antithesis of her sister, and Rose heartily rejects and criticizes all things that seem to her Maggie-esque. Do you think the sisters' rejection of each other is a form a self-rejection? Do they actually share more traits than they would care to admit? Do they want to be like each other? Have they accepted their respective roles as screw-up and good girl so wholeheartedly that they unconsciously squelch any behavior that might help them to step outside of those lines?



8. Do you see this story as a common one in terms of sibling rivalry, or does this go above and beyond what you would consider "normal" sisterly animosity? If so, what do you think accounts for this? Obviously, the strain of losing a mother -- one whose life was filled with struggle even before her death due to a debilitating mental illness -- can lead to misplaced anger and bitterness, but why do you think the girls turn on each other like they do? Were you surprised that their shared experiences didn't forge an absolute, unbreakable solidarity?



9. Although Rose seems to have a strong and loyal friend in Amy, we get the sense that Maggie really has no female friends; it seems that male relationships are the only ones that she chooses to foster. To what extent do you think Maggie's relationship with Rose affects her ability to make lasting, trusting bonds with other women in her life? Why is it that Rose seems more capable of these relationships?



10. At one point, Rose says to a waitress upon Maggie's departure, "She's not my friend, she's my sister." How might this shed some light on Rose's feelings of obligation and resentment toward Maggie? Do you think that, given better circumstances, Maggie and Rose could have been friends? Do you think family members can ever truly be friends?



11. What significance does the title have regarding the larger themes that this novel encompasses? Do you think it is ever possible for someone to ever truly put themselves in someone else's shoes? What do you think the author might say?



12. Where do you imagine Rose and Maggie in ten years? Has their relationship grown and gotten stronger? Do you see them finally as friends, or do you think they ultimately will fall back?

Copyright © 2003 by Jennifer Weiner

Weblinks

»	Publisher's Book Info
»	Book Excerpt
»	Author Q&A from Publisher
»	Publisher's Reading Guide
»	Author's web site

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