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The Groom to Have Been
by Saher Alam

Published: 2008-07-01
Paperback : 399 pages
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A love story inspired by The Age of Innocence, about a young man and woman thwarted by tradition and the fears of a world suddenly defined by tragedy Just as Nasr, a young man with a vibrant professional and social life in New York, begins to prepare for the arranged marriage he hopes will ...
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Introduction

A love story inspired by The Age of Innocence, about a young man and woman thwarted by tradition and the fears of a world suddenly defined by tragedy Just as Nasr, a young man with a vibrant professional and social life in New York, begins to prepare for the arranged marriage he hopes will appease his Indian Muslim family and assure him a union as happy as his parents’, he starts to suspect that his true love has been within his reach his entire life. Nasr has known Jameela since they were children, and for nearly that long she has flouted the traditions her community holds dear. But now the rebellion that always made her seem dangerous suddenly makes him wonder if she might be his perfect match. Feeling increasingly trapped as his wedding date approaches, Nasr contemplates a drastic escape, but in the wake of 9/11, new fears and old prejudices threaten to stand between him and the promise of happiness. Current in its political themes and classic in its treatment of doomed love, The Groom to Have Been is a graceful and emotionally charged debut.

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Excerpt

The engagement had been announced before the terrible thing happened. Sometimes it was hard to remember that. And at other times, when one was deep in the midst of choosing table linens and centerpieces, it became possible not to think about the terribleness at all, to let it drift into a distant corner of one's mind as if it had happened in a distant corner of the world. Even so, there were some on Nasr's side who, as late as November, suggested that postponing the wedding (perhaps even indefinitely) would not, under the circumstances, be an unreasonable request to make of the bride's family. Eventually, it was the "perhaps even indefinitely" part that would catch Nasr's attention--what, exactly, had that meant? But at the time he was simply annoyed. He wondered how long he and Farah were expected to accommodate world events. And he knew that the people who had made such remarks were letting themselves see bad omens and connectivity even though one thing had been set in motion before the other. ... view entire excerpt...

Discussion Questions

1. How does the alternative life that Nasr imagines for himself affect his relationship with Farah? In your experience, has the ability to imagine a path not taken haunted your life?

2. What do you think of Nasr’s mother’s generation’s desire to push their children into arranged marriages?

3. In a love marriage, the desire to commit to someone for life comes after falling in love. In an arranged marriage, the opposite is true: with the commitment of marriage comes love. Given this difference, would a love marriage between Nasr and Jameela have been more successful than the arranged marriage he has with Farah? Can Nasr ever hope to develop feelings for Farah that are as strong as the feelings he has for Jameela?

4. In Chapter 13, while talking to Jameela, why does Nasr recall the awkwardness of his exchange with Lillian on the plane home from London? How do the emotions lingering from that encounter affect his conversation with Jameela? He has been angry with Jameela for weeks, so why doesn’t he finally confront her?

5. If first-generation Americans often feel that they straddle two cultures, for many of the main characters in this novel, September 11 exacerbates their sense of being culturally marooned. They resist both of the communities that make claims on their allegiance: the Americans they live among and, despite themselves have come to resemble, and the terrorists, who share their religious beliefs and customs and who, to a certain extent, claim to have acted in their name. At the end of Book One, why does Nasr conflate the memory of his sister Saira’s wedding with his behavior at Heathrow airport when he ignores the Arab passenger’s imploring calls for help? How are the emotions that these two events stir up similar?

6. Along the same lines, why do Nasr’s feelings about the people he meets at the masjid (Malik, Rashida, etc.) shift so dramatically after Javaid and Jameela leave New York? And what does this mean for him and his future with Farah?

7. What does Javaid tell Jameela that makes her finally decide to elope with him? Why is this piece of information particularly effective in persuading her?

8. The Groom to Have Been is preceded by two epigraphs—one from Edith Wharton’s novel The Age of Innocence and the other from the Qur’an. Why do you think these epigraphs were chosen?

9. Late in the novel, Nasr thinks the following of his and Farah’s relationship: “Implicit in their sort of marriage was that Farah would love him without needing to know him thoroughly ”What does Nasr mean by this? Discuss this notion of marriage. Can anyone in a marriage know the other person thoroughly?

10. Is Nasr an admirable figure? Do you find his way of being in a world changed by the attacks on September 11 reasonable and practical, or cowardly and insufficient?

11. Do you think the novel has a happy ending?

Notes From the Author to the Bookclub

About three years into the writing of my novel I heard the echoes between the story I was hoping to tell and one of my favorite books of all time, Edith Wharton’s classic tale of doomed love, The Age of Innocence. In both, a man of the world, who is rather smugly engaged to the best candidate among his mother’s list of potential brides, encounters a woman who makes him realize that he’s made a mistake.

Wharton’s novel is set amid the shifting social and private relations in New York society of the late 1800s, and her main character, Newland, is caught between his sense of duty and his personal desires. My main character, Nasr, is—like me—from an Indian-Muslim immigrant family in which most of the marriages around him, including his parents’ happy union, were arranged; but he has (also like me) grown up in the West, where there is this “peculiar” expectation that one should be in love with the person one chooses to spend one’s life with.

So the central questions I was pursuing as I wrote the book were: Why would a person who’s essentially free to marry for love consent to an arranged marriage? What possible allure could such an Old World tradition hold for him? Complicating the push and pull on Nasr’s loyalties is the fact that the novel is set in the fall and winter of 2001, when the attacks of September 11th came to signal that we (here the larger we, of Americans and Muslims) had entered another sort of age—shed an innocence that had previously defined our actions.

Saher Alam

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