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Thank You for All Things
by Sandra Kring

Published: 2008-09-30
Mass Market Paperback : 448 pages
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Recommended to book clubs by 1 of 1 members
At twelve, Lucy Marie McGowan already knows she’ll be a psychologist when she grows up. And her quirky and conflicted family provides plenty of opportunity for her to practice her calling. Now Lucy, her “profoundly gifted” twin brother, Milo, her commitment-phobic mother, and her New Age ...
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Introduction

At twelve, Lucy Marie McGowan already knows she’ll be a psychologist when she grows up. And her quirky and conflicted family provides plenty of opportunity for her to practice her calling. Now Lucy, her “profoundly gifted” twin brother, Milo, her commitment-phobic mother, and her New Age grandmother are leaving Chicago for Timber Falls, Wisconsin, to care for her dying grandfather—a complex and difficult man whose failure as a husband and father still painfully echoes down through the years. Lucy believes her time in the rural town where the McGowan story began will provide a key piece to the puzzle of her family’s broken past, and perhaps even reveal the truth about her own missing father. But what she discovers is so much more—a lesson about the paradoxes of love and the grace of forgiveness that the adults around her will need help in remembering if their family is ever to find peace and embrace the future. By turns heart-wrenching and heart-mending, Thank You for All Things is a powerful and poignant novel by a brilliant storyteller who illustrates that when it comes to matters of family and love, often it is the innocent who force others to confront their darkest secrets.

Editorial Review

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Excerpt

That skinny eleven-year-old boy sitting across the table from me with the wispy dishwater-blond hair and glasses, that’s my twin brother, Milo, short for Myles. He’s got his long nose pointed down where his physics books and sheets scribbled with mathematical equations are neatly lined up at 180-degree angles on his end of the table. This is where Milo is likely to stay until bedtime (even though Mom says we have to study only until four o’clock), mumbling to himself and moving his face closer and closer to his work and getting more and more fidgety, until he’s reaching for his inhaler. Then Mom makes him stop for the day and go to bed.

Milo is “profoundly gifted.” One of those scary-smart geniuses who could have started college while still in diapers. Milo is going to be a physicist one day. His dream is to get a paper on string theory published in the globally renowned journals Nature and Physical Review and to prove some startling theory in quantum mechanics so he can earn himself a place among the leading geeks in the physics field.

Mom had me tested when she sent Milo, but I know it was for no other reason than that she didn’t want me to feel left out. Same as she had the eye doctor give me a Sponge- Bob SquarePants sticker when Milo got his last eye exam, even though my eyes are as sharp as a hawk’s, and even though I didn’t know who the little character was. We were six when we took that test. Mom hid the results when they came, but it wasn’t hard to figure out where she’d hidden them, since she puts all of her important papers in one place: her file cabinet, in a folder marked Important Papers.

“Don’t be disappointed,” Mom told me when she found me sitting on my knees alongside the file cabinet, staring down at our scores: Lucy Marie McGowan—144. Myles Clay McGowan—180. “You have a photographic memory and you’re an exceptionally creative child. These IQ tests don’t adequately measure either trait. If they did, you’d have scored every bit as high as your brother.” Later that day, she handed me a quote by Albert Einstein that she had jotted on an index card: Everything that can be counted does not necessarily count; everything that counts cannot necessarily be counted.

Milo and I are homeschooled. Mom says it’s because we have special needs and would only fall through the cracks in a public school system. But in reality, it’s because we’d have to go to an inner city school here in Chicago because there’s no money for a private school for the gifted, and she’s afraid that Milo would get knifed or shot on the playground for being a freak and a geek. She’s also afraid that if people knew just how smart he is, he’d be hounded by the press and doctors and develop mental problems, which would be an easy thing to do, since the experts believe that profoundly gifted kids are more fragile than others (they sure got that one right!). And, of course, I have to be homeschooled if Milo has to be.

Mom agrees that I should become a psychologist when I grow up, and either get into people’s heads and cure what ails them or test and study gifted kids. Not because she has a particular fondness for shrinks—she doesn’t!—but because she believes that kids should be steered in the direction of their gifts, and I happen to be people-smart.

After I convinced Mom that my interest lies in human behavior, she started checking out psychology textbooks from the college library for me: social and personality psychology, cognitive and experimental psychology, abnormal psychology, clinical psychology, you name it. I enjoy the parts of them I can understand, but like Carl Jung said, “Anyone who wants to know the human psyche will learn next to nothing from experimental psychology. He would be better advised to abandon exact science, put away his scholar’s gown, bid farewell to his study, and wander with human heart through the world.” I know I learn more by studying live people. Not that I have many people to study, mind you, because for the most part we live like recluses. So I watch my mother and my grandmother, the people who sit on the stoop downstairs on the rare days we leave the apartment, and sometimes Milo. Undoubtedly, though, study- ing Milo would be more beneficial if I were going to be a botanist.

When I told Mom that I’d like to become a psychologist (although I’d rather be a figure skater, even if I do have weak ankles and my balance isn’t up to par. And even if I don’t know how to skate, period, much less do a double axel or a triple lutz), she brought me home a little present that I know was meant to show me that she supports my decision. “I know how much you’ve always liked puppets,” she said when I opened the cloth Sigmund Freud finger puppet that came with a little chaise longue. “They have magnets on the back, so you can stick them to your computer tower.”

Milo got upset when I put Sigmund on my index finger and bobbed him in front of his face, asking him if he thought that having an overprotective, overanxious mother was what made him such a sissy. He punched me in the arm for teasing him, but it didn’t hurt, because Milo is even smaller than I am and his fist is only about the size of a walnut.

In all honesty, if I can’t be a figure skater, and if I have to cure people of what ails them, I’d rather be a shaman. My grandmother, Lillian, snuck me a book about a shaman in Africa. I thought it was cool the way he traveled to the underworlds in search of the missing pieces of people’s souls to heal them.

Mom got upset when she found the book tucked under the dirty clothes in my hamper. “Take that book back when you leave, Mother,” she snapped. “And stop filling Lucy’s mind with that crazy crap.” My grandmother scoffed at her, saying, “What a shaman does is every bit as real as the shadow at our feet, our breath in winter.” Unfortunately, there’s no school that gives a degree in Shamanism. And, anyway, where would I set up my practice? I’d probably have to go to a remote village in some Third World country and risk dying from cholera or dysentery and get paid in dead chickens, not money. That would suck, because being poor sucks.

Besides worrying about our education and Milo’s mental and physical well-being and me getting a complex because I’m not as smart as my brother, Mom worries about us running out of money. Every time I bring up the mail from downstairs, she looks at me like I’m carrying in a poison- ous snake, wrinkles her nose, and says, “Just set it on the kitchen table,” where it’ll sit for days until she musters up the courage to open the bills.

It’s because of our money situation that Mom sold out and started writing Christian romance novels, even though her love is literary fiction and even though she’s an atheist who happens to be bitter about love. What was she supposed to do, though, after she sold her first novel, The Absent Savior, three years ago, to a prestigious press on the East Coast and it sold only four hundred eleven copies? It didn’t earn enough to allow us to buy a frikkin’ case of boxed macaroni and cheese, Mom said, so she scrapped her second work-in-progress and started writing Christian romance, with her sights set on the Wal-Mart market, which is where the big bucks are. She’s ashamed of writing them, so she isn’t using her real name, Tess McGowan, but instead uses the pen name Jennifer Dollman. Her advance reader copies are still sitting in a box in her closet, unopened.

Last month we stopped by Wal-Mart to buy sunscreen on our way to the public pool—a rare treat, brought on only because of my grandmother’s sudden, not completely irrational fear that Milo was suffering from a vitamin D deficiency because he won’t drink milk and doesn’t play outside in the sun. Never mind that Milo doesn’t play, period, and that there’s no place to play outside our apartment but the street, even if he did. We were almost to the checkout line when Milo happened to spot Mom’s Christian romance on a cardboard display at the end of the aisle. He pointed to it and said, “Look, Mom, your book!” He grabbed a copy and ran his fingertips over Mom’s pen name and said, “Jennifer Dollman, that’s you!” Some lady behind us in a T-shirt that had a picture of Jesus on the cross and the words Follow the Leader stretched across her chest heard him and got all excited.

“You’re Jennifer Dollman? Oh, my gawd! My book club is not going to believe this! We picked your book for next month’s selection, and I’m reading it right now.” And Milo—who may have an IQ of 180 but has absolutely no common sense—said, “Yes, she’s Jennifer D—”

Mom clamped her hand over his pale lips and backed away, but the woman rushed forward. It was as if she’d entered the rapture early, and she couldn’t stop gushing. She was on chapter seventeen, she said, and she “absolutely adored” the trials and tribulations of Mom’s protagonist, Missy Jenkins, and bless Mom for upholding the sanctity of marriage and not allowing Missy to be sweet-talked into sin by that good-looking philanderer Chase Milford. Mom quickly told the woman that it was a misunderstanding, her son only meant that it was the same book that is sitting on her nightstand. The woman started to protest, her finger wagging over Milo’s head. “But he said—”

“No. No. The author and I share the first name. That’s all he meant. My son . . . he’s . . . he’s learning disabled.”

Mom almost yanked Milo’s poor little arm out of its socket as she dragged us out of the store, Milo shouting, “Learning disabled? You called me learning disabled?” the whole way, the sunscreen left on the candy shelf for some weary-footed employee to march back to the pharmaceutical department. When we got home, Mom sat us both down and lectured us about not airing our dirty laundry in public.

“Can we tell people that you edit academic books?” I asked, and Mom said we could.

“What about your articles? Can we tell them that you’re a travel writer?” Milo was referring to the many articles Mom writes each year, advising gonna-be travelers on where they should go and what they should see in exotic places like Shanghai, Bali, and even Roatán, that magical island off the coast of Honduras where many go on vacation, then decide to never leave. The truth is, Mom has never been to any of these places. She gets photographs e-mailed to her by a woman she knew in college who dropped out of school to become a flight attendant. She likes to brag about all the places she’s been by sending Mom photos. Then Mom researches the places online and writes the article. I rolled my eyes at Milo’s question. Milo should have had the sense to figure out that since Mom’s travel articles are every bit as deceptive as her Christian romances, they, too, would be off-limits.

Mom has a lot of issues, frankly. And, unfortunately, at least some of them began with the woman who just burst through the door. Her mother, Lillian. And although I don’t know if my grandmother is right and I am truly a bit psychic, I do know the minute she swoops into our apartment on this morning in mid-September that this visit is going to generate more than the usual amount of sparks. view abbreviated excerpt only...

Discussion Questions

1. How does the title, Thank You for All Things, apply to various characters in the novel? Which characters have the most gratitude? Who seems to have little to be thankful for but manages to feel appreciative nonetheless? How are gratitude and forgiveness linked?
2. What was the effect of reading the storyline through Lucy’s eyes? How would it have been different if Milo had done the narrating?
3. Are family secrets always damaging? Did Milo and Lucy benefit from having the truth kept from them? Who else was Tess protecting by remaining silent about her past?
4. In chapter twelve, Marie says that going home helps her remember who she is. Lucy enjoys hearing this. What does the “homecoming” to Wisconsin teach her about who she is? What do her fantasies of her father, including the theory that Scott Hamilton is her dad, indicate about her perception of herself?
5. Some of the novel’s most important revelations are reported through journal entries. What did Tess communicate to herself when writing about her life? Why was it difficult for her to be open with her family about her emotional pain?
6. What kept Tess from feeling completely comfortable with Peter? Why was she hesitant to trust him?
7. What cycles of abuse occurred in the McGowan family? How did others respond to the damage inflicted by it? What gave Oma/Lillian the strength to return to Wisconsin?
8. What memories does Tess revive by seeing Mitzi? How does Mitzi’s experience with pregnancy affect her role in Tess’s life? Discuss one of your own lifelong friendships and the ways that friendship has changed over time.
9. What fueled the rage and shame that made Tess’s father so dangerous? How did dementia transform him? Which aspects of his life and personality endured despite dementia?
10. Milo and Lucy possess exceptional brain power. Are they equally advanced in matters of the heart? What benefits and problems does their mental prowess bring to their childhood?
11. How does Tess’s relationship with Clay compare to Milo and Lucy’s? What determines whether siblings will remain close or become estranged?
12. How did you react to the revelations about Howard? What had you predicted for the truth about Lucy and Milo’s father?
13. Discuss the homecomings that have made a significant impact on your life.
14. Sandra Kring grew up in an abusive home and has run support groups and workshops for adult survivors of trauma. What skills and sensitivities does her past bring to her life as a fiction writer, in this book as well as her previous novels, Carry Me Home and The Book of Bright Ideas?

Notes From the Author to the Bookclub

Dear Reader,

I'm not sure what it is that compels people to write stories, but I am convinced that writers are born, not made.

We had two books in our home when I was a child. One was a book on childhood illnesses, and the second was an encyclopedia, L-N, given by the local grocery store if you spent twenty dollars or more. I didn't care for either book and had no idea that other kinds of books existed-fiction books, books that could transport you into other times, other lives, other minds. And though I had not yet learned to print or spell, I still felt compelled to write. With no paper or writing implements at my disposal, I carried sticks into my room and scribbled on my unfinished walls. I was convinced that hundreds of years later, some advanced beings would buy the house, tear down the walls, and with eyes and minds advanced far beyond ours, use their ability to see invisible ink and to decipher the meaning soaked into a child's scribbles, to read the stories and secrets I'd left there.

Years passed before I discovered the magic of fiction, and even more years passed before I dared to admit that I had a dream to become a published novelist. Granted, there was nothing to prove to me that I could do it if I tried. I'd always been a poor student, more involved with my inner world than the facts written on the chalkboard. I skipped college, married at seventeen, became a mother at eighteen, and spent years living in an isolated town in the northwoods of Wisconsin, population 249. What possibly made me believe that I could one day prop my book alongside the hundreds of books that now filled my book shelves? Nothing, it seemed, but a resoluteness that said that if I practiced long enough, and tried hard enough, I could dream my dream true.

The night before I began Carry Me Home, I was looking through the photographs my recently deceased father had taken while serving in the Pacific during WWII. The images of the dead soldiers strung across the battlefield, as well as the images of my father standing with his arms linked across the shoulders of two young men he had identified simply as "my buddies," haunted me after I turned in that night. At that time, it seemed likely that we were going to war in Iraq, and as a mother of a teenage boy and an aunt to draftable nephews,

I felt anxious. What, I wondered, would it be like to send your beloved son, husband, or boyfriend off to war, and what would it be like for all of you once they returned?

The next morning, I woke before dawn with this question in mind and began writing. A mother, father, and family hero who would go off to war emerged. Five minutes later, the unlikely voice of Earl "Earwig" Gunderman spoke, and one paragraph into the book, I knew that this was the novel that would give me my dream.

People often ask me how I managed to write from the point of view of a brain-damaged teenaged boy. I'm not quite sure, except to say that when I strip away all I know about human nature, psychology, and logic, Earwig's questions about life, death, religion, war, prejudice, and love are my own. I guess this is why I love writing so much. It is my chance to wonder out loud.

So welcome to my world, oh intelligent being. I hope you enjoy my scribblings.

My best,

Sandra Kring

Book Club Recommendations

Member Reviews

Overall rating:
 
 
  "Thank You Sandra Kring"by Kristi F. (see profile) 04/11/11

Thank you for all things, a novel about love, loss, abuse and forgiveness. Sandra Kring is a great writer that brings the characters to life and each story seems to reveal a bit of ourselves. Times throughout... (read more)

 
  "great book"by Linda M. (see profile) 02/08/09

A great story.

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