Introduction

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it -- from garden seeds to Scripture -- is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Editorial Review

No editorial review at this time.

Excerpt

Book One

Genesis

And God said unto them,

Be fruiful, and multiply, and replenish the earth,

and subdue it: and have dominion

over the fish of the sea, and over the foul of the air,

and over every living thing that moveth upon the earth.

Genesis 1:28

Orleanna Price

Sanderling Island, Georgia

Imagine a ruin so strange it must never have happened.

First, picture the forest. I want you to be its conscience, the eyes in the trees. The trees are columns of slick, brindled bark like muscular animals overgrown beyond all reason. Every space is filled with life: delicate, poisonous frogs war-painted like skeletons, clutched in copulation, secreting their precious eggs onto dripping leaves. Vines strangling their own kin in the everlasting wrestle for sunlight. The breathing of monkeys. A glide of snake belly on branch. A single-file army of ants biting a mammoth tree into uniform grains and hauling it down to the dark for their ravenous queen. And, in reply, a choir of seedlings arching their necks out of rotted tree stumps, sucking life out of death. This forest eats itself and lives forever. ... view entire excerpt...

Discussion Questions

Discussion questions from the publisher's reading guide:

1. What are the implications of the novel's title phrase, the poisonwood bible, particularly in connection with the main characters' lives and the novel's main themes? How important are the circumstances in which the phrase comes into being?

2. How does Kingsolver differentiate among the Price sisters, particularly in terms of their voices? What does each sister reveal about herself and the other three, their relationships, their mother and father, and their lives in Africa? What is the effect of our learning about events and people through the sisters' eyes

3. What is the significance of the Kikongo word nommo and its attendant concepts of being and naming? Are there Christian parallels to the constellation of meanings and beliefs attached to nommo? How do the Price daughters' Christian names and their acquired Kikongo names reflect their personalities and behavior?

4. The sisters refer repeatedly to balance (and, by implication, imbalance). What kinds of balance--including historical, political, and social--emerge as important? Are individual characters associated with specific kinds of balance or imbalance? Do any of the sisters have a final say on the importance of balance?

5. What do we learn about cultural, social, religious, and other differences between Africa and America? To what degree do Orleanna and her daughters come to an understanding of those differences? Do you agree with what you take to be Kingsolver's message concerning such differences?

6. Why do you suppose that Reverend Nathan Price is not given a voice of his own? Do we learn from his wife and daughters enough information to formulate an adequate explanation for his beliefs and behavior? Does such an explanation matter?

7. What differences and similarities are there among Nathan Price's relationship with his family, Tata Ndu's relationship with his people, and the relationship of the Belgian and American authorities with the Congo? Are the novel's political details--both imagined and historical--appropriate?

8. How does Kingsolver present the double themes of captivity and freedom and of love and betrayal? What kinds of captivity and freedom does she explore? What kinds of love and betrayal? What are the causes and consequences of each kind of captivity, freedom, love, and betrayal?

9. At Bikoki Station, in 1965, Leah reflects, "I still know what justice is." Does she? What concept of justice does each member of the Price family and other characters (Anatole, for example) hold? Do you have a sense, by the novel's end, that any true justice has occurred

10. In Book Six, Adah proclaims, "This is the story I believe in . . ." What is that story? Do Rachel and Leah also have stories in which they believe? How would you characterize the philosophies of life at which Adah, Leah, and Rachel arrive? What story do you believe in?

11. At the novel's end, the carved-animal woman in the African market is sure that "There has never been any village on the road past Bulungu," that "There is no such village" as Kilanga. What do you make of this?

Suggested by Members

by [email protected] (see profile) 05/27/19

by zacharyasz (see profile) 08/18/10

Weblinks

»	Publisher's Book Info
»	Author Barbara Kingsolver's web site
»	Publisher's reading guide

Book Club Recommendations

Recommended to book clubs by 0 of 0 members.

Member Reviews

Rate this book