Introduction

Booker Prize Finalist

Here is an extraordinary cross-cultural love story that unfurls across Egypt, England, and the United States over the course of a century. Isabel Parkman, a divorced American journalist, has fallen in love with a gifted and difficult Egyptian-American conductor. Shadowing her romance is the courtship of her great-grandparents Anna and Sharif nearly one hundred years before.

In 1900 the recently widows Anna Winterbourne left England for Egypt, an outpost of the Empire roiling with political sentiment. She soon found herself enraptured by the real Egypt and in love with Sharif Pasha al-Baroudi, an Egyptian nationalist. When Isabel, in an attempt to discover the truth behind her heritage, reenacts Anna’s excursion to Egypt, the story of her great-grandparents unravels before her, revealing startling parallels for her own life.

Combining the romance and intricate narrative of a nineteenth-century novel with a very modern sense of culture and politics—both sexual and international—Ahdaf Soueif has created a thoroughly seductive and mesmerizing tale.

Editorial Review

Ahdaf Soueif's The Map of Love is a massive family saga, a story that draws its readers into two moments in the complex, troubled history of modern Egypt. The story begins in 1977 in New York. There Isabel Parkman discovers an old trunk full of documents--some in English, some in Arabic--in her dying mother's apartment. Incapable of deciphering this stash by herself, she turns to Omar al-Ghamrawi, a man with whom she is falling in love. And Omar directs her in turn to his sister Amal in Cairo.

Together the two women begin to uncover the stories embedded in the journal of Lady Anna Winterbourne, who traveled to Egypt in 1900 and fell in love with Sharif Pasha al-Barudi, an Egyptian nationalist. To their surprise, they stumble across some unsuspected connections between their own families. Less surprising, perhaps, is the persistence of the very same issues that dogged their ancestors: colonialism, Egyptian nationalism, and the clash of cultures throughout the Middle East. The past, however, does offer some semblance of omniscience:

That is the beauty of the past; there it lies on the table: journals, pictures, a candle-glass, a few books of history. You leave it and come back to it and it waits for you--unchanged. You can turn back the pages, look again at the beginning. You can leaf forward and know the end. And you tell the story that they, the people who lived it, could only tell in part.

With its multiple narratives and ever-shifting perspectives, The Map of Love would seem to cast some doubt on even the most confident historian's version of events. Yet this subtle and reflective tale of love does suggest that the relations between individuals can (sometimes) make a difference. "I am in an English autumn in 1897," Amal confesses at one point, "and Anna's troubled heart lies open before me." Here, perhaps, is a hint about how we should read Soueif's staggering novel, using words as a means to travel through time, space, and identity. --Vicky Lebeau

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