Introduction

Pulitzer Prize–winning author Anne Tyler gives us a wise, haunting, and deeply moving new novel about loss and recovery, pierced throughout with her humor, wisdom, and always penetrating look at human foibles.
 
Crippled in his right arm and leg, Aaron grew up fending off a sister who constantly wanted to manage him. So when he meets Dorothy, an outspoken, independent young woman, she’s like a breath of fresh air. He marries her without hesitation, and they have a relatively happy, unremarkable marriage. Aaron works at his family’s vanity-publishing business, turning out titles that presume to guide beginners through the trials of life. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead—in their house, on the roadway, in the market—help him to live in the moment and to find some peace. Gradually, Aaron discovers that maybe for this beginner there is indeed a way to say goodbye.
 
“Like a modern Jane Austen, Tyler creates small worlds [depicting] the intimate bonds of friendship and family.”—USA Today
 
“An absolute charmer of a novel . . . With sparkling prose . . . [Anne] Tyler gets at the beating heart of what it means to lose someone, to say goodbye.”—The Boston Globe
 
“Classic Tyler . . . The wonder of Anne Tyler is how consistently clear-eyed and truthful she remains about the nature of families and especially marriage.”—Los Angeles Times
 
“Beautifully intricate . . . By the exquisitely romantic emotional climax [an] ordinary life has bloomed into an opera.”—Entertainment Weekly
 
Don’t miss the conversation between Anne Tyler and Robb Forman Dew at the back of the book.

Editorial Review

Amazon Best Books of the Month, April 2012: "The strangest thing about my wife’s return from the dead was how other people reacted." So begins Anne Tyler's new novel, which documents the days of Aaron Woolcott after the unexpected loss of his wife, Dorothy. And as arresting as the first sentence is, it's also a bit worrying. So many clichés could follow. Will Aaron resolve his grief through poetic moonlit walks with the apparition of his lost wife? Thankfully, this is Anne Tyler. And the ghost of Dorothy, like all Tyler's characters, has a kind of rich, eccentric depth that sits opposite to the expected. Aaron's recovery after his wife's death conveys all the subtle hallmarks of Tyler's style, where a flawed man must learn how to do a very difficult thing--say a final goodbye. --Ben Moebius

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