Introduction

" The Law of Similars is fast-paced and absorbing. Few writers can manipulate a plot with Bohjalian's grace and power."-The New York Times Book Review


From the number one bestselling author of Midwives comes this riveting medical thriller about a lawyer, a homeopath, and a tragic death.  When one of homeopath Carissa Lake's patients falls into an allergy-induced coma, possibly due to her prescribed remedy, Leland Fowler's office starts investigating the case.  

But Leland is also one of Carissa's patients, and he is begining to realize that he has fallen in love with her.  As love and legal obligations collide, Leland comes face-to-face with an ethical dilemma of enormous proportions.  Graceful, intelligent, and suspenseful, The Law of Similars is a powerful examination of the links between hope and hubris, love and deception.

Editorial Review

In Chris Bohjalian's fine follow-up to Midwives, individual judgment and the unconventional again clash with the medical and legal forces of tradition. In rural Vermont, two years after his wife's sudden death, an exhausted state's attorney can hope for little but a quiet life with his 4-year-old daughter. Leland Fowler's only goal is a cure for the common cold--his own, that is, which has dragged on for months. As it turns out, his appointment with the town's only homeopath will set to rights his physical and emotional symptoms. At least for a while.

Alas, another of Carissa Lake's patients isn't quite so lucky. Despite her warning that Richard Emmons not go off his prescription drugs, he does exactly that. In fact, during an asthma attack, he takes the homeopathic law of similars--the belief that "like cures like"--to an entirely new level. This tragedy embroils Carissa in an investigation of her practice and forces Leland into a decision that is to alter not only her life but his:

Upstairs, my daughter slept. And for a long time we sat on the floor before the tree, neither of us saying a word, as I worked out in my mind exactly what I would have needed to prosecute this case if a summer cold had not lasted into the fall, and I had not met Carissa Lake. Once I knew, nothing seemed quite so hopeless, and I began to sketch aloud for her exactly what we would want to create in the morning, and exactly what we would want to destroy.

Chris Bohjalian is an artist of the small but seismic instant. As this gripping novel proves, he knows all too well the awful daring of a moment's surrender. --Siobhan Carson

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