In Paris she moves in with the Tivots: the unassuming, shambling father, Marc; the glamorous and unforgiving mother, Nicole; the beautiful daughter, Odile; the merry daughter, Lola; the momma's boy, Guillaume. Rosie steps into the highly polarized atmosphere of the Tivot household, unconsciously upsetting its equilibrium by throwing in her lot with Marc and Lola. And when the family heads off to Spain for vacation, the power balance shifts palpably, since Rosie is the only one who speaks Spanish. Even Nicole grudgingly admires her. What's more, Rosie notices Marc regarding her with the "relentless curiosity he'd had in his eye since we landed in Spain." On Mallorca, the two consummate their relationship, and the betrayal forces her to see beyond her own worries to the entrenched pains and allegiances of her host family.

King cleverly iterates this message in her narrative. She occasionally, deliberately, allows each member of the Tivot family to voice the story, and this opening-up of the narrative allows the world to flow into a novel whose themes might otherwise seem petty. In the end, the author doesn't perpetrate the dull crime of youthful self-involvement--she comments on it. We care for Rosie from the start, but we like her a lot more as she comes alive to the people around her. --Claire Dederer

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