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The House in the Pines: A Novel
by Ana Reyes
Hardcover : 336 pages
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2 members have read this book
Armed with only hazy memories, a woman who long ago witnessed her friendâ??s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed....
Maya was a ...
Introduction
A Reese's Book Club Pick
Armed with only hazy memories, a woman who long ago witnessed her friendâ??s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed....
Maya was a high school senior when her best friend, Aubrey, mysteriously dropped dead in front of the enigmatic man named Frank whom theyâ??d been spending time with all summer.
Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she canâ??t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summerâ??the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.
At her motherâ??s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan fatherâ??s book that didnâ??t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frankâ??s cabin....
Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.
Editorial Review
No Editorial Review Currently AvailableDiscussion Questions
From the publisher:1. Maya shies away from true intimacy by withholding important information from Dan. How does finally telling the truth about her alcohol dependence and Klonopin withdrawal, as well as Aubrey’s death and her suspicions about Frank, change Maya’s relationship with Dan?
2. Maya’s experience with addiction ranges from always liking “a good buzz, ever since the first time [Aubrey] swiped a pint of her mom’s vodka and they drank it stirred into Sunny D” to rationalizing “her dependence in so many ways, telling herself it wasn’t a lie, just an omission; that she kept the pills in an aspirin bottle for convenience, not to hide them.” How does Maya’s dependence on various substances serve to keep her isolated in her adult life?
3. Dr. Barry, Maya’s one-time therapist, says, “The unwell mind is rarely capable of recognizing its own illness”; he also tells her the mind will try to explain what it does not understand by creating patterns. Is Maya a reliable narrator, even to herself? How much does she trust what she perceives and remembers, and how much does she doubt her own intuition? Did you have faith in her perceptions?
4. Technology and social media play an important role in Maya’s attempts to learn the truth about Frank. Do you think events would have played out differently if younger Maya had been able to research Frank online? Or would his sway still be as strong, regardless of all the information available?
5. The author emphasizes the importance of sharing stories. When Maya meets Dan, she feels the “intimacy of being with someone who loved the same stories.” Maya and Aubrey connect in English class while doing a project on Emily Dickinson. Brenda tells the story of meeting Jairo repeatedly, until it takes on a fable-like quality. But Maya also realizes she “might as well have handed Frank a key to her head and her heart the day she told him the story of her dead father.” How do stories allow these characters to open up to one another? Is this sharing of self through stories always for the best or can it have more sinister consequences?
6. How is Frank able to read Maya and prey on her vulnerability? What patterns can Maya discern in her experiences with Frank?
7. Maya is described as “half Guatemalan, a quarter Irish, and a quarter Italian”; she “looked Hispanic but had grown up with a single white mom and knew very little about her family in Guatemala.” By the end of the novel, how does Maya begin to integrate her Guatemalan roots, connect with her father, and understand this part of her history?
8. Inherited trauma is woven throughout Maya’s story: her father’s violent death and Guatemala’s tumultuous history, her aunt Lisa’s mental illness, even the PCBs that poisoned the Housatonic River and Silver Lake. How does the author plant seeds of hope that it’s possible to move beyond the damage of the past?
9. The author writes current scenes in the past tense, whereas past sections are in the present tense. In what ways was Maya more engaged in the past? How has Aubrey’s death and her time with Frank affected her?
10. Were you surprised when you learned the truth about Frank’s cabin? If not, when did you begin to suspect that something about it was wrong?
11. What did you think of the balance between the past and present sections in the novel? Did the two intersect differently for you as the read went on? Why or why not?
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