Introduction

INSTANT NEW YORK TIMES BESTSELLER

“An acutely observed family drama with bone-chilling suspense.” —People

“Jewell teases out her twisty plot at just the right pace, leaving readers on the edge of their seats. Her multilayered characters are sheer perfection, and even the most astute thriller reader won’t see where everything is going until the final threads are unknotted.” —Booklist, starred review

“Sharply written with twists and turns, Jewell’s latest will please fans of Gone Girl, The Girl on the Train, or Luckiest Girl Alive." —Library Journal

Ellie Mack was the perfect daughter. She was fifteen, the youngest of three. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenaged golden couple. She was days away from an idyllic post-exams summer vacation, with her whole life ahead of her.

And then she was gone.

Now, her mother Laurel Mack is trying to put her life back together. It’s been ten years since her daughter disappeared, seven years since her marriage ended, and only months since the last clue in Ellie’s case was unearthed. So when she meets an unexpectedly charming man in a café, no one is more surprised than Laurel at how quickly their flirtation develops into something deeper. Before she knows it, she’s meeting Floyd’s daughters—and his youngest, Poppy, takes Laurel’s breath away.

Because looking at Poppy is like looking at Ellie. And now, the unanswered questions she’s tried so hard to put to rest begin to haunt Laurel anew. Where did Ellie go? Did she really run away from home, as the police have long suspected, or was there a more sinister reason for her disappearance? Who is Floyd, really? And why does his daughter remind Laurel so viscerally of her own missing girl?

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Discussion Questions

1. Then She Was Gone is, first and foremost, a mystery. Yet many questions are answered quite early on in the book. How soon did you guess what really happened to Ellie, and if you did, did it affect your enjoyment of the book?

2. In the prologue, it says “Looking at it backward it was obvious all along.” Now that you’ve finished the novel, do you agree? What “warning signs” referred to in the prologue might Ellie have spotted if she’d been more aware?

3. Did you think Lisa Jewell’s portrayal of Laurel and her journey was realistic? Could you relate to the way she dealt with her grief, or did you find it alienating?

4. What was your impression of Poppy when she is first introduced? Did this change over the course of the book, and if so, how?

5. Then She Was Gone is divided into six parts. Why do you think Lisa structured the book this way? How would you categorize each section—what makes it distinct from the other parts of the book?

6. For much of the book, Laurel and her daughter Hanna have a fraught relationship as Laurel fails to let go of unfavorable comparisons between Hanna and Ellie. Do you think it’s normal to have a favorite child? How should parents handle these feelings if they arise?

7. Throughout the novel, Laurel has moments in which she feels something is not quite right, but often writes it off as paranoia as a result of losing her daughter. Have you ever written off your own concerns? How can you distinguish between when you are being pessimistic, and when you should trust your intuition?

8. There are four different perspectives shown in the book, but only Noelle and Floyd’s narration are in first person. Why do you think Lisa chose to write their chapters in first person, directly addressing other characters, while Laurel and Ellie’s chapters were told through third person? What effect did this have on you as you read?

9. Floyd and Noelle are both characters with some obsessive tendencies. What other similarities do they share, and in what ways are they different? Were you able to sympathize with either or both of them?

10. In chapters from Ellie’s perspective, she repeatedly brings up the subject of blame, thinking of all the moments that led to what happened to her and what she “should” have done differently, or what others could have done to save her. As you read, did you find yourself blaming characters for the unforeseen consequences of the choices they made? If so, in which situations?

11. At the end of the book, Laurel notes that she “hasn’t told Poppy the full truth” (page 351) about everything that happened. Do you think she ever will? How would Poppy react to learning the secrets of her background?

Enhance Your Book Club

1. Then She Was Gone references in an excerpt from Ellie’s diary, Alice Sebold’s novel The Lovely Bones, another story about a young teenager who goes missing and the fallout of her unsolved disappearance on her family. Consider making The Lovely Bones your next book club read and discussing what parallels you find between the two novels, and what distinguishes them.

2. Both Noelle and Floyd talk about the lasting impact unpleasant aspects of their childhoods had on them, yet Floyd and Laurel both seem optimistic about Poppy’s resiliency and ability to thrive despite the disturbing background of her early years. Consider how you think being raised by Noelle and Floyd may have shaped Poppy. Choose an age, fifteen or older, and imagine what Poppy will be like then. Write a short story about her that touches on how she has grown and whether she has moved past the traumatic circumstances of her youth. Share with your reading group and compare your impressions of how Poppy will develop.

3. Check out more of Lisa Jewell’s books, such as I Found You and The Girls in the Garden. To find out more about Lisa, visit www.facebook.com/LisaJewellofficial, or follow her on Twitter @lisajewelluk.

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